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Motto: Este tot atât de uşor să te înşeli pe tine însuţi fără să-ţi dai seama, pe cât este de greu sa-i înşeli pe alţii fără ca ei să observe. (La Rochfoucauld, Maxime, 1678, nr. 115) 

O anume diferenţă între ceea ce crede fiecare dintre noi despre sine şi ceea ce este cu adevărat, aşa cum îl ştie pe deplin numai Dumnezeu, este inerentă umanului, şi nu despre un asemenea lucru va fi vorba aici, ci doar despre formele excesive, nu arareori aproape patologice, pe care le ia falsa conştiinţă de sine. Şi, deşi excesive şi aproape patologice, ele sunt mai răspândite decât ne-am aştepta. 
Termenul de „falsă conştiinţă” nu este pe deplin grăitor. 
Nu este vorba numai de faptul că cineva îşi ignoră adevărata fiinţă şi fire sau că se crede pur şi simplu altfel decât este. 
Ea este în primul rând cultivarea unei credinţe despre sine cu mult superioară realităţii, este o imagine exaltată a unei excelente absenţe. 
Omul normal, ale cărui corecţii de imagine sunt mai mult sau mai puţin rezonabile, având un sine echilibrat, poate exista liniştit cu propria sa imagine. Dar cel afectat de o falsă conştiinţă nu este în stare de astfel de lucru. Şi nu atât pentru că nu s-ar putea până la urmă împăca cu sinele lui adevărat, este loc sub soare pentru noi toţi şi cineva acolo sus ne iubeşte pe toţi, ci pentru că vrea să se creadă despre el că este cineva înzestrat cu mari calităţi omeneşti, de obicei cele pe care le are cel mai puţin, dar la care aspiră cel mai mult. Asemenea om confundă propria sa realitate cu un deziderat himeric cu privire la sinele lui. Dar operaţiunea aceasta de substituire nu se face conştient, ci este un construct al inconştientului care are, în fiecare caz, o istorie individuală a lui, chiar dacă, abstrăgând caractere comune, putem construi o tipologie. Iar odată acest neadevăr instalat în cineva, el este asumat ca adevăr, cu credinţă, cu iubire, cu mândrie şi cu durere. Incapacitatea de autoanaliză corectă duce astfel la o alienare de realitate analogă cu cea din unele psihoze. 
Lucru uşor de înţeles dacă admitem că orice falsă conştiinţă se constituie, progresiv, pe o rea conştiinţă de sine refulată. Unii sucombă sentimentului că sunt nimica şi nimeni, că tot ce fac şi ar putea să facă le trădează nimicnicia. 
Alţii se împacă cu ei înşişi, aşa  cum sunt. 
Alţii îşi fabrică, în bezna şi singurătatea sinelui, o conştiinţă falsă şi trăiesc aşa, ca într-o nebunie ambulatorrie, când mai benignă, când mai damnată. Şi mai periculoasă decât orice falsificare deliberată şi decât orice ipocrizie. 
Falsa conştiinţă ne obligă, fără să ne dăm seama, să jucăm un rol, mai mult, să înscenăm o dramă pentru acest rol şi să o populăm cu crezuri şi cu lupte false, cu apoteoze şi dezastre fictive. 
Cred că mulţi dintre noi au văzut sau avut în preajma lor asemenea inşi jucându-şi tristul rol pe scena lumii. 
Unii sunt atât de naivi, atât de de transparenţi şi atât de evident ridicoli, încât nu pot inspira decât o ironie indulgentă şi aproape tandră. 
Alţii însă pot fi de-a dreptul siniştri. Şi sunt numeroşi, au diferite apucături, dar reductibile la un tip fundamental. 
Omul de felul acesta se crede şi vrea să fie crezut tocmai ceea ce nu este, şi anume un om nobil în sfera etică şi afectivă, luminat în ordinea cognitivă şi puternic în cea volitivă. 
Fiind un simplu veleitar utopic, vrea să apară nici mai mult, nici mai puţin decât ca paradigma excelenţei umane. Iar această imagine falsă despre sine o afirmă şi o exibă cu patos, trăind-o mai ales când o propune altora sau se gândeşte pe sine între alţii sau mai presus de alţii. 
Mai mult, trăind şi făptuind printre oamenii de rând, afirmarea sa de sine ia forma unei lupte şi a unei misiuni, susţinute de un crez care nu e de fapt decât un scenariu pentru a-şi transforma reaua lui aşezare în lume şi faţă de lume într-o idealitate al cărei erou se simte şi se crede a fi. 
Pe de altă parte, în precipitarea lui de a scăpa de propria sa imagine reală, el o proiectează, în chip inconştient şi malign, asupra altuia sau a altora şi se poate frecvent asista la scene în care acest om, în fond bolnav, îi acuză pe cei din jur de propriile sale scăderi, aberaţii şi grele păcate; şi invers, el săvârşeşte în mod curent ceea ce atât de violent şi de zgomotos blamează la alţii. 
Şi de aceea tipul acesta de om, a cărui viaţă, astfel, se situează nu numai pe fals, ci şi pe nedreptate, este dăunător celor din preajma lui
Nociv, pentru că falsa imagine pe care o are despre sine se izbeşte în mod inevitabil cu rigorile realului, de verificările lui constante şi neiertătoare, de insucces. 
Omul normal ştie să-şi analizeze insuccesul şi să vadă partea lui de eroare sau de vină, dar acest mic paranoic, nu: el nu este de vină niciodată şi nu greşeşte niciodată, de vină sunt întotdeauna ceilalţi, cei care nu i-au dat ascultare, nu l-au luat drept cârmuitor, l-au tratat fără deferenţa cuvenită, nu l-au înţeles. 
De aici corelativul oricărei manii şi iluzii de grandoare, mania şi iluzia persecuţiei. Omul acesta, care este o minciună întrupată, sfârşeşte aproape totdeauna prin a se considera un nedreptăţit şi chiar un martir, persecutat de semenii lui obtuzi şi ingraţi, eventual invidioşi. Prigonit de „oameni”. Şi iată că, la răul pe care omul înzestrat cu o falsă conştiinţă îl face prin incapacitatea, incompetenţa şi veleitarismul său, se adaugă, virulentă, şi setea lui de răzbunare, care este dublă: una, inconştientă, faţă de cei mai buni decât el; şi alta, de suprafaţă, asumată conştient şi agresiv, faţă de cei care nu l-au recunoscut ca atare. Şi devine periculos: reclamagiu fără odihnă, calomniator neruşinat, procesoman. Şi uneori patosul lui este atât de mare şi de persuasiv, încât se găsesc oameni care să-l creadă, să-l sprijine, uneori chiar să-l promoveze, până îşi rupe din nou gâtul şi o ia de la început cu lamentaţiile şi cu vindictele. Omul nostru e, în felul lui, de neînvins. Iar falsa lui conştiinţă este mai nocivă decât minciuna deliberată, decât ipocrizia sau decât o calculată calomnie. 
Nu este de crezut că o astfel de amăgire este etanşă la o cât de vagă trezire la adevărata conştiinţă. Dar omul acesta, în fond atât de corupt, ştie să treacă peste asta. Ba mai grav: abia atunci devine extrem de periculos. Şi foarte sigur de sine, cel mai ţanţoş de slava lui de tinichea. Astfel, continuă să circule slobod prin lume, concepând proiecte pe care le dă drept aproape gata realizate şi nefăcând absolut nimic. 
Crezându-se generos şi fiind de fapt meschin, crezându-se plin de resurse şi nefiind bun de nimic, predestinat tuturor ratărilor, crezându-se delicat şi virtuos şi fiind de fapt atât de grosolan şi plin de grele păcate, auster când e lacom, paşnic când e litigios şi agresiv, o autoritate în orice materie când el abia dacă are rudimentele vreunui domeniu. Clamează cu sfruntare adevărul său iluzoriu, confundând adesea sinceritatea cu simpla grosolănie şi reacţionând isteric la cea mai mică încercare nu zic de a-l deconspira, ci de a considera că într-o privinţă destul de mică ar fi greşit sau nu s-ar fi purtat cum se cuvine. 
Şi trăieşte aşa mai departe, mai sigur de sine decât ţi-ar veni să crezi, gestionându-şi (uneori cu bune rezultate parţiale) eşecul fundamental de a nu fi ce visează a fi. 

Falsa conştiinţă, eseu de Petru Creţia, publicat în volumul “Eseuri Morale” (Ed. Muzeul Literaturii Române, 2000)

T'pau - China in your hand

"China in Your Hand" is a song by British band T'Pau, released from their album Bridge of Spies.
A re-recorded version was released as a single in October 1987, spending five weeks at number 1 in the UK and is arguably the song for which the group is best known in their native Britain, though their debut single "Heart and Soul" was a much bigger hit in the United States.
"China in Your Hand" was the 600th song to top the UK charts, and kept George Harrison's "Got My Mind Set on You" from hitting the top spot.
The song's lyrics refer to the novel Frankenstein and its author Mary Shelley. This is more readily heard on the longer album version of the song, as the re-recorded single edit omits most of the more obvious references to the book.
The song's title was more unclear however and when quizzed, co-writer Ron Rogers was unsure of to what it referred.
Lyric writer Carol Decker explained that it is the effect that if you hold a china cup to a light, you can see your hand through it – therefore 'china in your hand' means something that is transparent.
In a segment on the BBC1's The One Show on 6 March 2014, Carol Decker explained that she had been holding a china tea cup belonging to Ronnie Roger's mother in her hand while washing up and had felt a lump in the bottom. She held the cup to the light and saw an image of a young woman in the base of the cup. Decker had the cup with her and showed the viewers the image. Sadly Ronnie's mother died of breast cancer just before T'Pau achieved major chart success.
The song is in the key of B-Flat major on the original album version but the radio edit version is slightly sped up to reduce its length resulting in the tuning being mid-way between B-Flat and B Major.
In 2011, contestant Amelia Lily performed the song on series 8 of UK's The X Factor. Judge Gary Barlow said it was "nice to hear the song being sung in tune for once", in mockery of Decker, who reacted to the comment via Twitter.
British EDM artist Jimmy Rotten used a sample of the song's intro in his track "Join Hands".
The lyrics:
It was a theme she had
On a scheme he had
Told in a foreign land
To take life on earth
To the second birth
And the man was in command
It was a flight on the wings
Of a young girl's dreams
That flew too far away
And we could make the monster live again

Oh hands move and heart beat on
Now life will return in this electric storm
A prophecy for a fantasy
The curse of a vivid mind

Don't push too far
Your dreams are china in your hand
Don't wish too hard
Because they may come true
And you can't help them
You don't know what you might
Have set upon yourself
China in your hand

Come from greed
Never born of the seed
Took a life from a barren hand
Oh eyes wide
Like a child in the form of man
A story told
A mind of his own
An omen for our time

Don't push too far
Your dreams are china in your hand
Don't wish too hard
Because they may come true
And you can't help them
You don't know what you might
Have set upon yourself
China in your hand
Oh your hand
Your dreams are china in your hand, wooah
Here in your hand
China in your hand, woh oh oh woh oh oh woh oh
Here in your hand

Woh! You take a flight on the wings of fantasy
Then you push too far
And make your dreams reality
Yeah! For the china in your hand
But you shouldn't push too hard

You take a flight on the wings of fantasy
Then you push too hard
You make those dreams reality
Yeah! China in your hands

But they're only dreams

Cali - C'est quand le bonheur (live)

CALI, de son vrai nom Bruno Caliciuri, né le 28 juin 1968 à Perpignan, en France, est un auteur-compositeur-interprète français.
À mi-chemin entre chanson française et rock, il revendique une position d’artiste concerné par les problèmes de la société et du monde, et n’hésite pas à s’engager publiquement.
Biographie
Les racines
Le grand-père de Cali, Giuseppe Caliciuri, était un Italien enrôlé dans les Brigades internationales pour combattre Franco. Il rencontra alors une infirmière catalane, Maria Pilar, qui devint son épouse.
Leur fils Vincent, le père de Cali, vint au monde à Barcelone.
La famille se réfugia en France après la défaite des Républicains où elle fut enfermée dans les camps destinés aux exilés espagnols.
Son grand-père maternel originaire de Vernet-les-Bains, Henri Fruitet, maçon, boxeur, communiste et Catalan, épousa une Italienne, Stella Genovese, issue d‘une famille de mélomanes.
Cali est père de trois enfants.
La jeunesse
Bruno Caliciuri naquit à Perpignan le 28 juin 19681. Ses parents s’installèrent à Vernet-les-Bains, et sa mère mourut sept ans plus tard.
Sa première grande passion fut le rugby à XV4 qu'il pratiquait dans son club de Vernet-les-Bains avant de lui préférer la politique : Cali fut deux fois candidat aux élections dans son village4, sans succès.
Troisième passion: le rock. Cali cite U2 (il rencontre brièvement Bono à Toulouse en 1984 à la sortie d‘un concert,), les Simple Minds, Clash dans ses références.
Il tutoie également la musique metal et cite volontiers en interview en 2001: Slayer, Pantera et Morbid Angel, qui lui permettent d'évacuer sa rage.
Il dira cependant: «Quand j’ai écouté pour la première fois The Pan Within sur l’album This Is The Sea (des Waterboys), j’ai tout de suite su que c’était celle que j’amènerais sur une île déserte ».
Bruno Caliciuri créa son premier groupe Pénétration Anale au lycée.
Les textes pour le moins provocants vaudront à son chanteur quelques démêlés avec l’administration de l’établissement puisqu'il en est exclu.
Ses premiers séjours en Angleterre et en Irlande furent dus à des rencontres amoureuses. Cali en profita pour partir sur les traces de ses idoles, les Waterboys et U2.
Les débuts
Cali entame sa véritable carrière de musicien, en tant que guitariste et chanteur, avec Lithium, un groupe de reprises animant les fêtes de villages des Pyrénées-Orientales. Il poursuit avec le groupe Indy qui sortira l'album Tu es si belle qu'il se met à pleuvoir en 19958.
Enfin, il forme le groupe Tom Scarlett, actif de 1997 à 2001 et qui sortira un album éponyme en 1998. Cali y est alors le chanteur principal et guitariste.
Peu après la société de production de spectacles Astérios, qui recrute Cali dés 2002, La maison de disques Labels/EMI constate le phénomène lors des francofolies fin 2002 et signe l'artiste.
L'amour parfait voit le jour sous la houlette du producteur américain Daniel Presley (Breeders, Faith No More, Luke, Dionysos…).
Le disque sort le 19 août 20031 et contient plusieurs titres qui deviendront des tubes: C’est quand le bonheur ?, Pensons à l’avenir et Elle m’a dit.
L'amour parfait devient pour beaucoup le manifeste d’une génération amoureusement désabusée. Hugo Baretge (guitare), Patrick Félicès (basse), Benjamin Vairon (batterie), Aude Massat (Alto) et Julien Lebart (piano) forment son groupe de musiciens.
Cali obtient avec L'amour parfait, une nomination aux Victoires de la musique 2004 dans la catégorie « artiste révélation de l'année », le prix Vincent Scotto de la SACEM pour C'est quand le bonheur ? et le Prix Constantin le 9 novembre 2004.
Cali entreprend une tournée où il alterne les petites scènes avec des sets plus importants comme le Printemps de Bourges, où il côtoie Sanseverino, Bashung et Bénabar.
Le DVD Plein de vie capte l’une de ces prestations au Bataclan au cours duquel Miossec vient le rejoindre pour un duo.
La confirmation
En octobre 2005, Menteur (initialement intitulé L’amour Terroriste succède à L'amour parfait. Enregistré en Irlande, toujours avec Daniel Presley, Cali associe à son groupe Damien Lefèvre (bassiste de Luke), Matthieu Chédid, Daniel Darc et Steve Wickham, le violoniste hors-pair des Waterboys qui joue sur Sunday Bloody Sunday de U2.
La chanson Le vrai père est écrite pour les parents séparés (pères mais aussi mères) qui luttent pour avoir la possibilité de voir et de s’occuper de leur enfant au même titre que leur ex-conjoint.
La tournée démarre à Reims en novembre 2005, s’arrête pour trois soirs à l’Olympia (second concert où l’artiste se blesse au genou,[réf. nécessaire] ce qui ne l’empêchera pas d’assurer le troisième sans changement notable), et se terminera à la Fête de l’Humanité en septembre 2006 après un tour de France des salles et Festivals.
Le 2 octobre 2006, sort Le Bordel magnifique, un live enregistré à Lille, mais Cali est déjà reparti sur les routes pour une tournée acoustique, Dans l’intimité, entouré de Julien aux claviers, Blaise et Nicolas aux cuivres. Chaque soir, à Paris, un ou plusieurs invités de marque le rejoignent (Michel Delpech, Bernard Lavilliers, Christophe Mali, Vincent Delerm, Raphael et Steve Wickham, par exemple). En parallèle, Cali réalise un DVD qui ne serait pas une simple collection de chansons mais un vrai film, La vie ne suffit pas, réalisé par Gaëtan Chataigner. Ce DVD prétend s’inspirer du surréalisme et contient Pablito, chanson inédite à ce jour sur le plan discographique.
La consécration
Au printemps 2007, l'élection présidentielle fait l'actualité. L’artiste soutient Ségolène Royal, et participe (avec Bénabar, Yannick Noah, Saez et Renaud au meeting du stade Charléty. La victoire de Nicolas Sarkozy lui donne matière à une chanson, Résistance, qui elle-même amènera un nouvel album, plus politique.
Cali se met au travail, et L'espoir va naître sous la houlette de Scott Colburn (producteur d’Arcade Fire et de Mathias Malzieu).
Ce disque, enregistré « à la maison », près de Perpignan, va alimenter la critique. Trop engagé pour certains, trop éloigné de ses opus précédents pour d’autres, l’album présente des chansons en prise directe avec l’actualité (Mille cœurs debout, L’espoir, Giuseppe et Maria).
Quant à la musique, elle se veut plus rock avec des réminiscences assumées : Arcade Fire (1000 Cœurs Debout), Pogues (Résistance), Street Music (Je Ne te Reconnais plus, en duo avec Olivia Ruiz), Waterboys (Pas la Guerre et List of Lies)[réf. nécessaire] . Mike Scott, le leader du groupe Ecossais, est présent sur L'espoir, tant par le chant que par la composition. Cali avait rejoint les Waterboys en mai 2006 à Bruxelles; Mike et Steve le feront, à leur tour, au Zénith, en avril 2008 pour Fisherman Blues. Le succès est une fois de plus au rendez-vous.
Un DVD 1000 cœurs debout et un nouvel album live sont issus de cette tournée.
En mars 2009, le chanteur catalan s'explique longuement sur ses divers engagements dans un livre d'entretiens, Rage ! avec Didier Varrod, spécialiste de la chanson française.
À l’automne 2009, Cali rejoint The Hyènes, le groupe de Denis Barthe et Jean-Paul Roy, (respectivement batteur et bassiste de Noir Désir). Il reprennent des titres de Motörhead, AC/DC, Iggy and the Stooges et des chansons de Cali.
Une fois rentré à Perpignan, Cali se remet au travail et écrit de nouvelles chansons. L’album La vie est une truite arc-en-ciel qui nage dans mon cœur sort le 15 novembre 20101. Il est coproduit par Geoffrey Burton (ex-guitariste d’Arno et d'Alain Bashung).
Jugé plus rock et moins politique, l'album comporte les titres Je sais ta vie avec les chœurs du groupe belge Hong Kong Dong, Je n'attends que la revanche, Mille ans d'ennuis, Cantona.
Neuf chansons le complètent dans l'édition collector dite Généreuse sous le titre Vous savez que je vous aime.
La tournée 2011 de Cali a commencé en mars et s'est déroulée tout au long de l'année.
Son nouvel album, Vernet-les-bains, est sorti le 26 novembre 2012.
Le 24 janvier 2013, il est fait citoyen d'honneur de sa ville d'origine, Vernet-les-Bains.
À l'automne 2014, il est l'un des quatre experts musicaux de la première saison de la version française du télé-crochet Rising Star.
Ses musiciens
Hugo Baretge, Robert Johnson et Geoffrey Burton (guitare)
Julien Lebart, Johan Dalgaard et le célèbre Steve Nieve (piano)
Daniel Roux (basse), Patrick Felices (basse, contrebasse), Henri Serra (basse), Alan Gevaert (basse), Alain Verderosa
Benjamin Vairon, Richard Kolinka, Philippe Entressangle, Thierry Toune LeMillour (batterie)
Blaise Margail (trombone, guitare)
Nicolas Puisais (trompette, claviers)
Aude Massat (alto)
Steve Wickham (violon)
Sarah Zeebroek (choeurs, guitare, basse)
Boris Zeebroek (choeurs, claviers, synthétiseurs, guitare)
Engagements
Associatif
Il participe à la création de l'association « L'amour parfait » en 2004, qui est destinée à la collecte de fonds destinés à être redistribués à diverses associations locales ou nationales, et notamment à l'association «Les Papas = Les Mamans» venant en aide aux parents séparés (pères et mères) et coupés de leurs enfants.
En 2006, il est solidaire, avec Gérard Reverend, de la création de ladite association Les Papas = Les Mamans, organisme destiné à rapprocher les familles désunies, et aussi permettre aux pères (ou aux mères) d'obtenir plus de droits sur leurs enfants après un divorce.
Le 10 mars 2008, il accompagne cette association au ministère de la Justice, pour évoquer « les exclusions parentales lors des divorces et séparations ».
Depuis des années, Cali s'investit régulièrement dans maintes causes caritatives (tournée les Aventuriers d'un Autre Monde avec Bashung, Richard Kolinka, Raphaël, Jean-Louis Aubert et Daniel Darc, concerts caritatifs divers avec The Hyènes) mais il le fait le plus souvent de façon très discrète et sans communication... Cali effectue chaque année, en moyenne, 10 ou 20 concerts ou participations en soutien à des causes.
À compter de 2009, Cali est parrain de la Fondation Abbé-Pierre en faveur des mal logés, aux côtés de ses amis les frères Éric et Joël Cantona, etc. Ils organisent ensemble chaque année le « rock'n'beach soccer » dont les bénéfices sont totalement reversés à la fondation, ainsi que diverses manifestations ponctuelles (concert pour Emmaüs au Zénith de paris avec Olivia Ruiz, nuit des sans logis à Bastille fin 2009 avec Tcheky Karyo, Benabar, Olivier Daguerre, etc.).
Il participe également aux manifestations en faveur de la fondation de Yannick Noah, Les Enfants de la Terre, ainsi qu'à diverses actions au profit de nombreuses associations locales perpignanaises Mucovie 66 (association de lutte contre la mucoviscidose), Adapei (Association départementale de parents et amis de personnes handicapées mentales).
En 2006, sort On Aime, On Aide, dans le cadre de l'action entreprise par la Fnac au profit de la lutte contre l'illettrisme. Ce maxi contient trois titres, une reprise de Guy Béart, L'eau vive, et deux chansons enregistrées pour l'occasion, Douce Vie et Qu'est-ce qui ne va pas mon amour ?
Sélections
Victoires de la musique 2004 : Groupe/Artiste révélation de l'année
Victoires de la musique 2005 : Artiste/Interprète Masculin de l'année
Victoires de la musique 2005 : Spectacle musical/tournée/Concert de l'année (Bataclan & La Cigale)
Victoires de la musique 2005 : Chanson originale de l'année (Pensons à l'avenir)
Victoires de la musique 2006 : Album Pop/Rock de l'année (Menteur)
Victoires de la musique 2009 : Album Pop/Rock de l'année (L'espoir)
Récompenses[modifier | modifier le code]
Prix Vincent Scotto 2004 : C'est quand le bonheur ?
Prix Constantin 2004 : L'amour parfait
Paroles:
Je suis pendu à vos lèvres
Espérant le mot, espérant le "oui" qui sauverait ma vie
Je suis pendu au téléphone mais qu'y a-t-il de plus moche ?
Au téléphone, aphone qui sonne et personne qui ne décroche
Je suis pendu à votre cou, dans le plus beau de mes rêves
Mais je ne me réveille jamais près de vous
Et j'en crève
Je suis pendu sous vos fenêtres au pied de l'arbre peut-être demain
La petite fleur qui va naître
Vous racontera mon chagrin

C'est quand le bonheur ?
C'est quand le bonheur ?
C'est quand le bonheur ?
C'est quand le bonheur ?
C'est quand le bonheur ?
C'est quand le bonheur ?
C'est quand le bonheur ?
C'est quand le bonheur ?

Je suis pendu à cet espoir que vous m'avez soldé
Je suis presque sur l'autre soir c'est moi que vous avez regardé
Je suis pendu par les pieds, tout rouge et le souffle coupé
A chaque fois que le hasard me dépose devant votre nez
Je suis pendu à la cravate dans mon costume crog macabé
Il parait que vous faiblissez devant les hommes bien habillés
Je suis tendu c'est aujourd'hui que je viens vous offrir ma vie
Peut-être oserais-je parler à quelqu'un d'autre qu'à mes pieds

C'est quand le bonheur ?
C'est quand le bonheur ?
C'est quand le bonheur ?
C'est quand le bonheur ?
C'est quand le bonheur ?
C'est quand le bonheur ?
C'est quand le bonheur ?
C'est quand le bonheur ?

Et puis ce goût amer est venu tapissé ma bouche
Je viens de conquérir son coeur, mais c'est louche
Car qui ne peut ses vieux amours, c'est quand parle l'amour
Aussitôt qu'on le gagne, décidément c'est pas facile tous les jours

C'est quand le bonheur ?
C'est quand le bonheur ?
C'est quand le bonheur ?
C'est quand le bonheur ?

C'est quand le bonheur ?

Elvis Presley - Don't Be Cruel

"Don't Be Cruel" is a song recorded by Elvis Presley and written by Otis Blackwell in 1956.
It was inducted into the Grammy Hall of Fame in 2002. In 2004, it was listed #197 in Rolling Stone's list of 500 Greatest Songs of All Time.
The song is currently ranked as the 92nd greatest song of all time, as well as the fifth best song of 1956, by Acclaimed Music.
Recording
"Don't Be Cruel" was the first song that Presley's song publishers, Hill and Range, brought to him to record.
Blackwell was more than happy to give up 50% of the royalties and a co-writing credit to Presley to ensure that the "hottest new singer around covered it".
Freddy Bienstock, Elvis' Music Publisher, gave the following explanation for why Elvis received co-writing credit for songs like Don't Be Cruel.
"In the early days Elvis would show dissatisfaction with some lines and he would make alterations, so it wasn't just what is known as a 'cut-in'. His name did not appear after the first year.
But if Elvis liked the song, the writers would be offered a guarantee of a million records and they would surrender a third of their royalties to Elvis'."
Presley recorded the song on July 2, 1956 during an exhaustive recording session at RCA studios in New York City. During this session he also recorded "Hound Dog", and "Any Way You Want Me".
The song featured Presley's regular band of Scotty Moore on lead guitar (with Presley usually providing rhythm guitar), Bill Black on bass, D.J. Fontana on drums, and backing vocals from the Jordanaires.
The producing credit was given to RCA's Steve Sholes, although the studio recordings reveal that Presley produced the songs in this session by selecting the song, reworking the arrangement on piano, and insisting on 28 takes before he was satisfied with it. He also ran through 31 takes of "Hound Dog".
Release
The single was released on July 13, 1956 backed with "Hound Dog".
Within a few weeks "Hound Dog" had risen to #2 on the Pop charts with sales of over one million.
Soon after it was overtaken by "Don't Be Cruel" which took #1 on all three main charts; Pop, Country, and R 'n' B.
Between them, both songs remained at #1 on the Pop chart for a run of 11 weeks tying it with the 1950 Anton Karas hit "The Third Man Theme" and the 1951/1952 Johnnie Ray hit "Cry" for the longest stay at number one by a single record from late 1950 onward until 1992's smash "End of the Road" by Boyz II Men. By the end of 1956 it had sold in excess of four million copies. Billboard ranked it as the No. 2 song for 1956.
Presley performed "Don't Be Cruel" during all three of his appearances on The Ed Sullivan Show in September 1956 and January 1957.
The lyrics:
You know I can be found, sittin' home all alone
If you can't come around, at least please telephone
Don't be cruel to a heart that's true

Baby, if I made you mad for somethin' I might've said
Please, let's forget the past, the future looks bright ahead
Don't be cruel to a heart that's true
I don't want no other love, baby, it's just you I'm thinkin' of

Hmm, don't stop thinkin' of me, don't make me feel this way
Come on over here and love me, you know what I want you to say
Don't be cruel to a heart that's true
Why should we be apart, I really love you, baby, cross my heart

Let's walk up to the preacher and let us say, "I do"
Then you'll know you'll have me, and I'll know that I'll have you
Don't be cruel to a heart that's true
I don't want no other love, baby, it's just you I'm thinkin' of

Don't be cruel to a heart that's true
Don't be cruel to a heart that's true
I don't want no other love

Baby, it's just you I, I'm thinkin' of

Black Sabbath - Iron Man
"Iron Man" is a song by British heavy metal band Black Sabbath.
It is taken from their second studio album, Paranoid, released in 1970. It was later included on their initial greatest hits compilation We Sold Our Soul for Rock 'n' Roll (1976), as well as all subsequent greatest hits compilations.
The song was originally entitled "Iron Bloke", a title conceived by vocalist Ozzy Osbourne.
Upon hearing the main guitar riff for the first time, Osbourne remarked that it sounded "like a big iron bloke walking about" (bloke being used in British English similar to how guy or dude are used in America).
The title was later changed to "Iron Man", with Geezer Butler writing the lyrics around the title.
Despite the song's title, it bears no connection to the Marvel Comics superhero character Iron Man, which was created and first appeared in Tales of Suspense #39, March 1963, seven years prior to the song's publication. The song has since become associated with the character by fans of both; the popular 2008 film Iron Man, based on the comic books, features an instrumental rendition of "Iron Man" during the credits.
In the 2012 film The Avengers, set in the same continuity as the Iron Man films, Tony Stark is seen wearing a Black Sabbath shirt when not in the Iron Man armor, as a tribute to the band and song.
Butler wrote the lyrics as the story of a man who time travels into the future, and sees the apocalypse. In the process of returning to the present, he is turned into steel by a magnetic field. He is rendered mute, unable verbally to warn people of his time of the impending destruction. His attempts to communicate are ignored and mocked. This causes Iron Man to become angry, and have his revenge on mankind, causing the destruction seen in his vision.
The lyrics:
Has he lost his mind?
Can he see or is he blind?

Is he alive or dead?
Has he thoughts within his head?

He was turned to steel.
In the great magnetic field.
When he traveled time,
For the future of mankind

He was turned to steel.
In the great magnetic field.
When he traveled time,
For the future of mankind

Nobody wants him,
He just stares at the world.
Planning his vengeance,
That he will soon unfold.

Now the time is here
For iron man to spread fear
Vengeance from the grave
Kills the people he once saved

Nobody wants him
They just turn their heads
Nobody helps him
Now he has his revenge

Heavy boots of lead
Fills his victims full of dread
Running as fast as they can

Iron man lives again!

Ane Brun - Words
Ane Brun (born Ane Brunvoll on 10 March 1976 in Molde, Norway) is a Norwegian international songwriter, guitarist and vocalist. Since 2003 she has recorded eight albums, six of which are studio albums (including a collection of duets) and one live DVD.
She has lived in Stockholm, Sweden since 2001, where she writes, records and runs her own label (Balloon Ranger Recordings) when not on tour.
Ane Brunvoll is the daughter of lawyer Knut Anker Brunvoll (b. 1945) and jazz singer and pianist Inger Johanne Brunvoll (b. Kvien). She grew up in a musical family and her younger sister is vocalist Mari Kvien Brunvoll (b. 1984). Her older sister is photographer Bjørn Brunvoll (b. 1973).
After growing up in Molde, Norway she moved from her home town in 1995 and spent the next few years moving between Barcelona, Oslo and Bergen. In Bergen she began writing her own material while at university (jumping between courses in Spanish, law and music) as well as making a living working in record shops and bars.
After playing a few minor shows and recording her first demos in Bergen in 1999, she moved to Sweden, first to Uppsala and then to Stockholm in 2001, where she started to take her musical career seriously.
Brun featured as one of the guests on Peter Gabriel's 2011 studio album New Blood, singing on the re-recorded version of "Don't Give Up", recorded in 2010. She was subsequently invited to perform with him as support act and back-up singer on the New Blood tour throughout 2010.
In late 2011 Brun released her sixth studio album It All Starts with One, produced by Tobias Fröberg.
On 11 March 2013 Brun performed her own adaptation of Dido's Lament, from Dido and Aeneas by Henry Purcell, at The Roundhouse in London.
On 29 May 2013, Ane Brun released a 32-track collection of songs from her first 10 years in the music industry, entitled Songs - 2003 to 2013, which included four new songs.
On 4 October 2013 she also released a 20-track collection of covers and out-takes entitled Rarities. This album was released as a surprise for fans, with no pre-promotion.
The lyrics:
Words, take her with you
Let her rest in your rhyme
Words, take her away
Somewhere, be on time
Words, ease her breathing
Lay her softly on the floor
There, let her linger
And listen like ever before

Leave, her windows, uncovered at night
And fill her room with the city lights
As they illuminate the sky
It reminds her of the people outside
Cause she won't sleep
Unless she heals her loneliness

Walk with her
Beneath the tree tops
Create new paths and memories
Show her, how the sunlight
Glances through the gaps between the leaves
Words, help her change the world
In only one verse
Tell her to reach for the stars
And to always put love first

Leave, her windows, uncovered at night
And fill her room with the city lights
As they illuminate the sky
It reminds her of the people outside
It reminds her of the people
It reminds her of the people

It reminds her of the people outside

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