Articles by "Tom Waits"
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Tom Waits - Tom Traubert's Blues (Waltzing Matilda)

"Tom Traubert's Blues (Four Sheets to the Wind in Copenhagen)" (commonly known as "Tom Traubert's Blues" and sometimes incorrectly "Waltzing Matilda") is a song by American musician Tom Waits.
It is the opening track on Waits' third studio album Small Change, released in September 1976 on Asylum Records.
Written by Waits and produced by Bones Howe, the song's chorus is derived from the Australian folk song "Waltzing Matilda" and its lyrics narrate alcohol abuse, inspired by Waits' own experiences in Los Angeles and Copenhagen.
The song is considered one of Waits' signature songs and has been described as "the work of an extremely talented lyricist" by Bones Howe.
It has since been covered by a number of artists, most notably Rod Stewart, who released a version of the song on the compilation album Lead Vocalist (1993). Stewart's version was released as a single in 1992 and charted in eight countries upon its release, including the United Kingdom, Ireland, Germany and Sweden.
"Tom Traubert's Blues" was written solely by Waits and produced by Bones Howe. The song is piano-based and led by Waits but also features Jim Hughart performing bass.
The song's lyrics narrate the story of Tom Traubert, "a man who finds himself stranded and penniless in a foreign land."
Biographer Jay S. Jacobs has described Traubert as "etched as a sympathetic character, but it's clear that he inhabits a hell of his own making. He'll never make his way home again because any cash he gets his hands on he squanders on drink."
The lyrics to the song's chorus incorporates elements of the Australian folk song "Waltzing Matilda." Waits explained the reason for choosing to incorporate parts of "Waltzing Matilda" saying "when you're 'waltzing matilda', you're on the road. You're not with your girlfriend, you're on the bum. For me, I was in Europe for the first time, and I felt like a soldier far away from home and drunk on the corner with no money, lost."
Bones Howe considers the song's lyrics to be "brilliant" and "the work of an extremely talented lyricist."
Speaking of the lyrics, Howe has said: "occasionally I'll do something for songwriters. They all say the same thing to me. 'All the great lyrics are done.' And I say, 'I'm going to give you a lyric that you never heard before.' 'A battered old suitcase to a hotel someplace / And a wound that will never heal.'.".
The lyrics:
Wasted and wounded, it ain't what the moon did
I got what I paid for now
See ya tomorrow, hey Frank can I borrow
a couple of bucks from you, to go
Waltzing Matilda, waltzing Matilda, you'll go waltzing
Matilda with me

I'm an innocent victim of a blinded alley
and I'm tired of all these soldiers here
no one speaks English, and everything's broken
and my Stacys are soaking wet
to go waltzing Matilda, waltzing Matilda, you'll go waltzing
Matilda with me

now the dogs are barking
and the taxi cabs parking
a lot they can do for me
I begged you to stab me
you tore my shirt open
and I'm down on my knees tonight
Old Bushmills I staggered,
you buried the dagger in
your silhouette window light to go
waltzing Matilda, waltzing Matilda, you'll go waltzing
Matilda with me

now I've lost my St. Christopher
now that I've kissed her and the
one-armed bandit knows, and the
maverick Chinaman, and the cold-blooded signs
and the girls down by the strip tease shows go
waltzing Matilda, waltzing Matilda, you'll go waltzing
Matilda with me

no I don't want your sympathy
the fugitives say that the streets aren't for dreaming now
manslaughter dragnets and the ghosts that sell memories
They want a piece of the action anyhow go
waltzing Matilda, waltzing Matilda, you'll go waltzing
Matilda with me

and you can ask any sailor
and the keys from the jailer
and the old men in wheelchairs know
that Matilda's the defendant, she killed about a hundred
and she follows wherever you may go
waltzing Matilda, waltzing Matilda, you'll go waltzing
Matilda with me

and it's a battered old suitcase
to a hotel someplace
and a wound that will never heal
no prima donna, the perfume is on
an old shirt that is stained with blood and whiskey
and goodnight to the street sweepers
the night watchman flame keepers

and goodnight Matilda, too

Tom Waits - On the Nickel

On the Nickel by Tom Waits, with pictures of him, the Nickel and random people.
"On the Nickel" was recorded for the Ralph Waite film of the same name.
"Heartattack and Vine" was covered by Screamin' Jay Hawkins. In 1993 this version was used without Waits' permission in a Levi's commercial, for which Waits took legal action and won a settlement.
The lyrics:
Sticks and stones will break my bones
but I always will be true
and when your Mama´s dead and gone, I'll sing this lullaby just for you
And what becomes of all the little boys
Who never comb their hair
They're lined up all around the block, on the nickel over there.

So better bring a bucket, there is a hole in the pail
And if you don't get my letter, then you'll know that I'm in jail
and what becomes of all the little boys
who never say their prayers
They're sleepin' like a baby,
on the nickel over there.

And if you chew tobacco and wish upon a star,
You'll find out where the scarecrows sit, just like punchlines between the cars
And I know a place where a royal flush can never beat a pair
And even Thomas Jefferson
is on the nickel over there.

So ring around a rosie, you're sleepin' in the rain
And you're always late for supper
And man you let me down again
I thought I heard a mockingbird
Roosevelt knows where, you can skip the line with Grady Tuck,
on the nickel over there.

So what becomes of all the little boys
Who run away from home
The world just keeps gettin' bigger, once you get out on your own
So here's to all the little boys
The sandman takes you where you'll be sleepin' with the pillowman
On the nickel over there.

So climb up through that buttonhole, and fall right up the stairs
And i'll show you where the short dogs grow
On the nickel over there.

Maria Pescaru Design

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