Latest Post
3 Doors Down A-Ha Abba AC/DC acappella accdc acustic Adela Marculescu Adriano Celentano Aerosmith Afroman Al Pacino Al Yankovic Alanis Morissette alex leo serban Alice Cooper Alice Georgescu Alice Voinescu Amazon Music Amos Lee Amy Belle Andrea Bocelli Andrei Serban Ane Brun Annie Lennox Anouk Anthony Hopkins antichitate Antonio Banderas Arlo Guthrie army Art Garfunkel arta Asia Awolnation B.B. King Babyface Bad Company bani Barbara Streisand Barenaked Ladies Barry White bănci Beach Boys Beastie Boys Beatles Ben Folds Ben Harper Berlin Beth Hart Biffy Clyro Billy Bragg Billy Ray Cyrus Billy Talent bine Bing Crosby Black Sabbath Blackmore's Night Blake Shelton Blue Diamonds Blue October blues Bob Dylan Bob Marley Bob Seger Bobby McFerrin Bon Jovi Bonfire Bonnie Raitt Bonnie Tyler Bono Boyz II Men Brian May Bruce Dickinson Bruce Robison Bruce Springsteen Bryan Adams Bryan Adams. hits Bryan Ferry Bucharest Bucuresti Cab Calloway calendar Cali Cameo Candy Dulfer Canned Heat caragiale Carlos Santana Carlos Snatana Carly Simon Carole King Carpenters carte Cassadee Pope Cassandra Wilson Casting Crowns Celine Dion Cesaria Evora Charlene Charles Aznavour Cher china Chinawoman Chris Isaak Chris Rea christian Chuck Berry Cinderella clasic Claudio Baglioni Coldplay concert constiinta Coolio copii cor Costel Constantin Count Basie country Court Yard Hounds coutry Cowboy Junkies Creedence Clearwater Revival Cristi Minculescu cronicar crtitica cultura curaj Cutting Crew cuvantul cuvantul dat Cyndi Lauper Dan Puric Darius Rucker David A. Stewart David Bowie David Garrett David Gray David Guetta De-Phazz Deep Blue Something deep purple Def Leppard Depeche Mode Des`Ree Desireless destin Diana Krall Dido Dire Straits Dixie Chicks Donovan dorel visan Doro Doro Pesch drama Dream Theater Duran Duran durere Eddie Cantor Edie Brickell electronic Elton John Elvis Presley Emerson Lake and Palmer Emilia Emmylou Harris Enya Epica Erasure Eric Clapton Ernest Tubb eseu Evanescence eveniment Ewan McGregor Extreme Faith No More Falco Fever Ray film filozofie Fine Young Cannibals Fish Fleetwood Mac Florent Pagny folclor folk Foreigner Francois Feldman Frank Sinatra Frank Zappa Garbage Garfunkel Garou Gary Moore Genesis George Carlin George Harrison George Michael girls Glenn Miller Gloriana Goran Bregovic gospel Grand Corps Malade Grand Funk Railroad greseli Gretchen Peters Guillaume Grand Guns N' Roses Guns N’ Roses Gwyneth Paltrow Harry Belafonte Heart Helene Fischer hita hits Holly Cole Hootie And The Blowfish ICR incredere indie insulta intelepciune INXS Ioan Gyuri Pascu Ion Caramitru Irina Petrescu IRIS Iron Maiden istorie iulie 2015 Iyeoka Okoawo James Brown Janis Joplin jazz Jean Marais Jeanette Jennifer Hanson Jennifer Warnes Jeremy Irons Jessie Ware jethro tull Jimmy Page Joan Baez Joan Jett Joan Osborne Joe Cocker Joe Dassin Johannes Strate John Cazale John Lee Hooker John Mellencamp Johnny Cash Johnny Hallyday Joni Mitchell Jooan Baez judecata. buni Julee Cruise Julien Clerc Kate Bush Keith Jarrett Kellie Pickler Kelly Clarkson Kenny Chesney Kenny Rogers Kid Rock Kings of Leon Kiss Kosheen Kris Kristofferson Krypteria Kylie Minogue La musique de la Légion étrangère Lacrimosa langa o magnolie din sec. 18 Laura Bell Bundy Laura Pausini LeAnn Rimes Led Zeppelin Lemmy Kilmister Lenny Kravitz Leo Sayer Leonard Cohen Lily Allen Linkin Park Lionel Richie live lLisa Loeb Loreena McKennitt Louis Armstrong love Luciano Pavarotti Lucinda Williams ludovic Luz Casal Lynyrd Skynyrd Macy Gray Manic Street Preachers manie Manowar Manu Chao Margareta Pogonat Marillion Marius Bodochi Mark Knopfler Maroon 5 Martika Martina McBride Martina Topley-Bird Mary J. Blige masca Meat Loaf media Melissa Etheridge Melody Gardot Men At Work Meryl Streep Metallica metrou Michael Bolton Michael Buble Mick Jagger Midnight Oil mihai eminescu Mike and the Mechanics Miles Davis Moby morala Morcheeba Motley Crue Mr. Big Mr. Mister Nana Mouskouri Nas Nat King Cole Natalie Grant Natalie Imbruglia Natasha St-Pier nedreptate Neil Diamnond Neil Diamond Neil Young nepasarea New Japan Philharmonic New York Nick Cave Nick Cave and The Bad Seeds Nickelback Nicole Kidman Nicu Alifantis Nicu Constantin Nightwish Nirvana Norah Jones Nostalghia Oasis Oldelaf Oleta Adams OMC OneRepublic onoare Otis Redding Ozzy Osbourne Padova Papa Roach patapievici Patricia Kaas Patrick Bruel Patsy Cline Patti LaBelle Paul Simon Paula Lima Peggy Lee Pet Shop Boys Peter Cetera Peter Gabriel Petru Cretia Petru Creția Phil Collins pilda pilde Pink Pink Floyd PJ Harvey placere poezie Poison police pop Portishead presa prietenie Prince Procol Harum prostia Purcărete queen R.E.M. Radiohead Radney Foster Radu Beligan Rainbow Randy Rogers Band rap Ray Charles război Reamonn Reba McEntire red hot chili peppers reggae REM Richard Bohringer Richie Sambora Ritchie Blackmore Robbie Williams Robert De Niro Robert Palmer Robert Plant rock Rod Stewart Roger Miller Roger Waters Rolling Stones romania Roxette Run DMC Rusia Sade Sam Brown Sanctus Real saracie Sarah Brightman Sarah McLachlan Savage Garden Scorpions Scott MacKenzie Seal Sebastian Bach Semisonic Seneca shakespeare Shania Twain Sheryl Crow Simon Simple Minds Simply Red Sinead O'Connor Skid Row Slade Smashing Pumkins Smokie Sophie B. Hawkins Sophie Milman Sophie-Tith Charvet soul Soul Asylum soundtrack spaima spirit Steppenwolf Steve Miller Band Steve Winwood Stevie Ray Vaughan Stevie Wonder Sting Stromae suferinta suflet Sunny Sweeney Suzanne Vega T'pau tango Tanita Tikaram Tarkovski taxi Taylor Dayne teama Tears For Fears teatru Terence Trent D'Arby Tesla The Animals The Bad Seeds The Bangles The Civil Wars the corrs The Cranberries The Cure The Doors The Four Seasons The Fugees The Heartbreakers The Jeff Healey Band The Moody Blues The Piano Guys The Pogues The Police The Pretenders The Proclaimers The Troggs The Undisputed Truth The Verve The Wailers Theory of a Deadman This Mortal Coil ticalosi tihna Tim McGraw Tina Turner Todd Rundgren Tom Cochrane Tom Jones Tom Petty Tom Petty And The Heartbreakers Tom Waits Tori Amos Toto Cutugno Tracy Chapman tradare trup Tudor Gheorghe turneu U2 Uber ucide Ucraina Ugly Kid Joe unplugged Urge Overkill Uriah Heep Usher vaicareala valoare vals Van Halen Van Morrison Vanessa Carlton Veronika Agapova versailles virtute Vixen Vonda Shepard Webb Sisters Whitesnake Whitney Houston Wilhelm de Orania Within Temptation woman Yasmin Levy YES Yngwie Malmsteen Zamolxe Zaz Zdob si Zdub ZZ Top

Cher - Strong Enough

Strong Enough is a song by American recording artist Cher from her twenty-third studio album Believe (1998). The song was released as the second single from the album. It was released on February 19, 1999 by Warner Bros, and WEA. The song's composition and musical style is strongly reminiscent of 80's disco music. The song received positive reviews from music critics, many calling it a highlight to Believe. The song had less success in the U.S. Billboard Hot 100, where it peaked at number fifty-seven, but did top the U.S. Hot Dance Club Play charts. It also went into a top ten in Denmark, Belgium, Germany, France, New Zealand and Finland.
"Strong Enough" was released as the second international single from Cher's twenty-third studio album Believe, which was released in 1998. However it was not successful in the US until it received more airplay following the release of promotional remixes. The song, along with "Believe", has become one of her most successful songs to date. "Strong Enough" is a 1980's-inspired nu-disco song, with strong elements of disco and house music.
"Strong Enough" received favorable reviews from music critics.
The music video for Strong Enough was directed by Nigel Dick and was released worldwide in early 1999. A promo VHS tape and CD-R were also released in the U.S., but are very rare. The video promo also includes the remixed version of the video.
In this video, Cher is a computer virus and her role is an advisor who tells a bad boyfriend the reasons why his girlfriend (played by Shannyn Sossamon) will leave him. Other participations in this video include teens in a party, two women, two robbers and lots of gothic instrument players.
A couple of months after the release of the original music video for Strong Enough, Dan-O-Rama (best known for his work remixing videos) created the "Vocal Club Edit" video for this song. He used the Strong Enough (Pumpin' Dolls Vocal Epic Club) remix and Club 69 Future Edit* promo only for Djs on 2000. The original music video is also featured on The Very Best Of Cher: The Video Hits Collection.
The lyrics:
I don't need your sympathy
There's nothing you can say or do for me
And I don't want a miracle
You'll never change for no-one
And I hear your reasons why
Where did you sleep last night?
And was she worth it, was she worth it?

Cause I'm strong enough to live without you
Strong enough and I quit crying
Long enough, now I'm strong enough
To know you gotta go
There's no more to say
So save your breath and walk away
No matter what I hear you say
I'm strong enough to know you gotta go

So you feel misunderstood
Baby have I got news for you
On being used, I could write a book
But you don't wanna hear about it
Cause I've been losing sleep
And you've been going cheap
And she ain't worth half of me, it's true
Now I'm telling you

That I'm strong enough to live without you
Strong enough and I quit crying
Long enough, now I'm strong enough
To know you gotta go

Come hell or waters high
You'll never see me cry
This is our last goodbye, it's true
I'm telling you

Now I'm strong enough to live without you
Strong enough and I quit crying
Long enough, now I'm strong enough
To know you gotta go
There's no more to say
So save your breath and walk away
No matter what I hear you say
I'm strong enough to know you gotta go

Kate Bush- Wuthering Heights

Wuthering Heights is a song by Kate Bush released as her debut single in January 1978.
It became a No.1 hit in the UK singles chart and remains her biggest-selling single. The song appears on her 1978 debut album, The Kick Inside. The B-side of the single was another song by Bush named "Kite" - hence the kite imagery on the record sleeve. "Wuthering Heights" came 32nd in Q magazine's Top 100 Singles of All Time, as voted by readers. It is also #13 on Rate Your Music's Top Singles of All Time.
The guitar solo is played by Ian Bairnson, best known for his work with Alan Parsons. It is often mistakenly said that David Gilmour played the solo, possibly due to his professional associations with Kate Bush. It is placed rather unobtrusively in the mix, and later engineer Jon Kelly would regret not making the solo a little louder in the mix.[1] The song was significantly re-mixed and given a new lead vocal in 1986 for Bush's greatest-hits album The Whole Story. This version also appeared as the B-side to her 1986 hit "Experiment IV".
Written by Bush when she was 18, the song is based on the novel of the same name. Kate Bush was inspired to write the song by the last ten minutes of the 1970 film version of Wuthering Heights.[2] She then read the book and discovered that she shared her birthday (30 July) with Emily Brontë. Bush reportedly wrote the song, for her album The Kick Inside, within the space of just a few hours late at night.
Lyrically, "Wuthering Heights" uses several quotations from Catherine Earnshaw, most notably in the chorus - "Let me in! I'm so cold!" - as well as in the verses, with Catherine's confession to her servant of "bad dreams in the night." It is sung from Catherine's point of view, as she pleads at Heathcliff's window to be allowed in. This romantic scene takes a sinister turn if one has read Chapter 3 of the original book, as Catherine is in fact a ghost, calling lovingly to Heathcliff from beyond the grave. Catherine's "icy" ghost grabs the hand of the Narrator, Mr Lockwood, through the bedroom window, asking him to let her in, so she can be forgiven by her lover Heathcliff, and freed from her own personal purgatory.
The lyrics:
Out On the wiley, windy moors
We'd roll and fall in green
You had a temper, like my jealousy
Too hot, too greedy
How could you leave me
When I needed to possess you?
I hated you, I loved you too

Bad dreams in the night
They told me I was going to lose the fight
Leave behind my wuthering, wuthering
Wuthering Heights

Heathcliff, it's me, Cathy, I've come home
I'm so cold, let me in in-a-your-window
Heathcliff, it's me, Cathy, I've come home
I'm so cold, let me in in-a-your-window

Oh it gets dark, it gets lonely
On the other side from you
I pine alot, I find the lot
Falls through without you
I'm coming back love, cruel Heathcliff
My one dream, my only master

Too long I roam in the night
I'm coming back to his side to put it right
I'm coming home to wuthering, wuthering
Wuthering Heights

Heathcliff, it's me, Cathy, I've come home
I'm so cold, let me in in-a-your-window
Heathcliff, it's me, Cathy, I've come home
I'm so cold, let me in in-a-your-window

Ooh let me have it, let me grab your soul away
Ooh let me have it, let me grab your soul away
You know it's me, Cathy

Heathcliff, it's me, Cathy come home
I'm so cold, let me in in-a-your-window
Heathcliff, it's me, Cathy come home
I'm so cold, let me in in-a-your-window
Heathcliff, it's me, Cathy come home
I'm so cold

Dire Straits - Brothers In Arms (live)

Brothers in Arms is a 1985 song by Dire Straits, appearing as the closing track on the album of the same name.
There are two studio recorded versions of this song: the album version which is 6:55 minutes, and the shorter version which is 6:05 minutes and features slightly different (and shorter) solos at the beginning and end of the song. The version that appears on Dire Straits' greatest hits album, The Very Best of Dire Straits, is 4:55. The version featured on the live album On the Night contains an extra pedal steel guitar solo and is 8:55. The full-length, studio album version (6:55) was also included on the 2005 compilation The Best of Dire Straits & Mark Knopfler: Private Investigations.
Mark Knopfler usually played the song on a Gibson Les Paul guitar, rather than his usual Schecter "Stratocaster", and a Les Paul appears in the distinctive promo video, which is in the style of a charcoal drawing, interspersing scenes of the band playing with scenes of war. During Dire Straits' 1992 "On Every Street" tour, Knopfler used his Pensa-Suhr MK1 for this song, like most of the others.
The song is reported to be the first CD single ever released, it was released in the United Kingdom in 1985.
In popular culture
The song was first used in the Miami Vice episode, "Out Where the Buses Don't Run".
Notably, it was used as the theme tune to Civvies, a British TV series from 1992.
The song was notably used in The West Wing episode, Two Cathedrals.
The song was prominently used in the Due South episode, "I Coulda Been a Defendant".
The song was featured on the soundtrack of the 2008 Barry Levinson film What Just Happened.
The song was also featured in the 2001 film "Spy Game."
It was used as the theme tune to the 1992 Jason Isaacs TV series Civies.
It was also used prominently in Vince's death scene in A Mexican Fairytale
The title of Andrzej Sapkowski's fantasy novel Baptism of Fire was apparently taken from the song's lyrics. The second stanza of "Brothers in Arms" is also the book's motto.
Cover versions
Gregorian covered the song for their album, Masters of Chant, Chapter 1-3 (Jubiläumsedition)
Folk singer Joan Baez covered the song for her 1987 album, Recently.
Serbian rock band Galija covered the song, with lyrics in Serbian language, entitled "Kad me pogledaš" on their 1989 album Korak do slobode.
Metallica covered the song on Bridge School Benefit 2007 (27 and 28 October).
The Finnish Symphonic power metal band Northern Kings covered the song on their album Reborn in 2007.
Celtic Thunder: Ryan Kelly covered this song as part of their 2007 DVD and during the 2008 tour.
Romanian rock band The Edge has covered this song live.
The Finnish a cappella band Club for Five covered the song on their album You're the Voice in 2009.
Nina Persson (of The Cardigans) and Georg Wadenius on his album "Reconnection" in 2009.
The lyrics:
These mist covered mountains
Are a home now for me
But my home is the lowlands
And always will be
Some day you'll return to me
Your valleys and your farms
And you'll no longer burn
To be brothers in arms

Through these fields of destruction
Baptisms of fire
I've witnessed all your suffering
As the battle raged higher
And though they did hurt me so bad
In the fear and alarm
You did not desert me
My brothers in arms

There's so many different worlds
So many different suns
And we have just one world
But we live in different ones

Now the sun's gone to hell
And the moon's riding high
Let me bid you farewell
Every man has to die
But it's written in the starlight
And every line on your palm
We're fools to make war
On our brothers in arms

Aerosmith and Run DMC - Walk this way

Walk This Way is a song by American hard rock group Aerosmith.
Written by Steven Tyler and Joe Perry, the song was originally released as the second single from the 1975 album Toys in the Attic. It peaked at number 10 on the Billboard Hot 100 in early 1977, part of a string of successful hit singles for the band in the 1970s.
In addition to being one of the songs that helped break Aerosmith into the mainstream in the 1970s, it also helped revitalize their career in the 1980s when it was covered by rappers Run–D.M.C. in their 1986 album Raising Hell. This cover was a touchstone for the new musical sub-genre of rap rock, or the melding of rock and hip hop.
It became an international hit and won both groups a Soul Train Music Award for Best Rap - Single in 1987.
The song was inspired from an oft-spoken line and gag ("Walk this way") from the Mel Brooks film, Young Frankenstein, which the band saw during a late-night showing while taking a break and trying to record a song for their third album, Toys in the Attic. The song, at the time, had music but no lyrics thus far.
The song starts out with the famous two measure drum beat intro by Joey Kramer, followed by the equally famous guitar riff by Joe Perry. The song proceeds with the main riff, played by Perry and Brad Whitford on guitar with Tom Hamilton on bass.
The lyrics, which tell the story of a high school boy losing his virginity, are sung quite fast by Steven Tyler, with heavy emphasis being placed on the rhyming lyrics (e.g., "so I took a big chance at the high school dance"). This rap-style delivery may explain why the song worked so well as a rap song when it was covered 11 years later.
Between the elaborately detailed verses, the chorus primarily consists of a repetition of "Walk this way, talk this way". In collaborations, the other singer often says "talk this way" every alternate line of the chorus. Live in concert, Steven Tyler often has the audience, combined with members of the band, sing "talk this way". There is also a lengthy guitar solo at the end of the song, and in concert, Steven Tyler will often harmonize his voice to mimic the sounds of the guitar.
In the Run–D.M.C. cover, the turntable is added in to reflect the additional hip hop influence on the record. Both the original Aerosmith version and the Run–D.M.C. cover (featuring Steven Tyler and Joe Perry) appear on various Aerosmith compilations as well as Run-DMC albums.
While the Run–D.M.C. cover is nearly identical to the original version, the Girls Aloud/Sugababes cover has a few changes tweaked into the song; the additional line "Walk this way, you wanna talk this way" is added, the vocoder is added, the lyrics are moved around, and the beat is slightly sped up to add a further dance-pop influence to the song.
The 1986 music video for "Walk This Way" symbolically placed Aerosmith and Run–D.M.C. in a musical duel in neighboring studios before Tyler literally breaks through the wall that separates them. The video then segues to the bands' joint performance on stage. The highly popular video was the first rap hybrid video ever played in heavy rotation on MTV and is regarded as a classic of the medium. The video was directed by Jon Small.
Aside from Steven Tyler and Joe Perry, none of the other rock musicians in the video are the Aerosmith members; instead, they were played by Roger Lane, J. D. Malo and Matt Stelutto - respectively rhythm guitarist, bassist and drummer for the largely unknown hair metal outfit Smashed Gladys. According to VH1's Pop Up Video, Run–D.M.C. couldn't afford to use the entire Aerosmith band, just Tyler and Perry. As only Steven Tyler and Joe Perry had travelled to record the cover with Run–D.M.C., they were the only real Aerosmith members to appear in the video.
In other media
Both the Run–D.M.C. version and the original version of the song are featured in Guitar Hero: Aerosmith.
Aerosmith's autobiography is named Walk This Way.
Aerosmith's fan club, Aero Force One, sells doormats printed with the phrase "Walk This Way".
The music video for "Walk This Way" was parodied in the music video for Lil Jon's "Get Low Remix" and Lil Wayne's "Shooter".
The famous opening drum beat, or beat resembling such part, is actually looped in one section of the Adam Sandler film Big Daddy, during the scene where he is throwing sticks toward the roller bladers.
When Aerosmith guest-performed on the hit animated-series The Simpsons in Flaming Moe's, they performed "Walk This Way", featuring side vocals from Moe Szyslak the bartender (voiced by Hank Azaria).
The radio edit is featured in the Rock 'n' Roller Coaster at Walt Disney World.
The Aerosmith/Run–D.M.C. remake version of the song is included in Dance Dance Revolution ULTRAMIX 3.
In Boston's Fun Food Factory there is a sign telling you where the line starts saying "'Walk This Way' says Mr Tyler".
This song is referenced in another more recent song by Aerosmith, "Just Push Play".
The tag line for the video game Guitar Hero: Aerosmith is Walk This Way.
The Run–D.M.C. version is included on the soundtrack to the 2008 film Sex and the City: The Movie.
In the horror movie The Lost Boys a group of people are dancing around a bonfire with "Walk This Way" playing.
In the Konami Wii video game Yu-Gi-Oh 5D's: Wheelie Breakers a version of the riff can be heard on menu screens
In the 2011 movie The Smurfs, using the Run–D.M.C. version, with the lyrics modified by the Smurfs.
A version by Lil' P-Nut featuring Haunted by Heroes with modified lyrics aired on Cartoon Network, parodying/copying the Run–D.M.C. video, at least the beginning.
In the 1987 movie China Girl, the Run–D.M.C. version is featured in a nightclub scene where the character Tye (played by Sari Chang) is changing clothes in the ladies restroom.
The lyrics:
Backstroke lover always hidin' 'neath the covers
Till I talked to your daddy, he say
He said "you ain't seen nothin' till you're down on a muffin
Then you're sure to be a-changin' your ways"
I met a cheerleader, was a real young bleeder
Oh, the times I could reminisce
'Cause the best things of lovin' with her sister and her cousin
Only started with a little kiss
Like this!

Seesaw swingin' with the boys in the school
And your feet flyin' up in the air
Singin' "hey diddle diddle"
With your kitty in the middle of the swing
Like you didn't care
So I took a big chance at the high school dance
With a missy who was ready to play
Wasn't me she was foolin'
'Cause she knew what she was doin'
And I knowed love was here to stay
When she told me to

Walk this way
Just gimme a kiss
Like this!

Schoolgirl sweetie with a classy kinda sassy
Little skirt's climbin' way up the knee
There was three young ladies in the school gym locker
When I noticed they was lookin' at me
I was a high school loser, never made it with a lady
Till the boys told me somethin' I missed
Then my next door neighbor with a daughter had a favor
So I gave her just a little kiss
Like this!

Seesaw swingin' with the boys in the school
And your feet flyin' up in the air
Singin' "hey diddle diddle"
With your kitty in the middle of the swing
Like you didn't care
So I took a big chance at the high school dance
With a missy who was ready to play
Wasn't me she was foolin'
'Cause she knew what she was doin'
And I knowed love was here to stay
When she told me to

When she told me how to walk this way, she told me to

[Repeat x8]
Walk this way

Just gimme a kiss
Like this!

John Lee Hooker - One Bourbon One Scotch One Beer

One Bourbon, One Scotch, One Beer or "One Scotch, One Bourbon, One Beer" is a call and response blues song written by Rudy Toombs and recorded by Amos Milburn in 1953.
It is one of several drinking songs recorded by Milburn in the early 1950 that placed in the top ten of the Billboard R&B chart.
Other artists have popularized the song, including John Lee Hooker in 1966 and George Thorogood in 1977.
John Lee Hooker recorded the song as "One Bourbon, One Scotch, One Beer" in 1966.
Hooker transformed Milburn's song "into a vehicle for himself".
He used the storyline and chorus (but altered the order), but "edited the verse down to its essentials, filled in the gaps with narrative and dialogue, and set the whole thing to a rocking cross between South Side shuffle and signature boogie".
Part of Hooker's narrative included:
And then I sit there, drinkin', gettin' high, mellow, knocked out, feelin' good
About that time I looked on the wall, at the old clock on the wall
About that time it was ten-thirty then, I looked down the bar at the bartender, he said
"What do you want down there?", one bourbon, one scotch, and one beer...
Hooker's version is notated as a medium tempo blues with an irregular number of bars in 4/4 time in the key of E.
It was recorded in Chicago in 1966 with Hooker (vocal and guitar), Lafayette Leake (piano), Eddie "Guitar" Burns (guitar), Fred Below (drums), and an unknown bass player. The song was released on Hooker's 1966 The Real Folk Blues album and he later recorded several live versions of the song.
Other versions:
Snooks Eaglin – 1959 – titled as "One Scotch, One Bourbon, One Beer", released on New Orleans Street Singer.
Thurston Harris – 1960 – titled as "One Scotch, One Bourbon, One Beer", released as a single, with "Send Me Some Loving" as the B-side.[8]
Champion Jack Dupree – titled as "One Scotch, One Bourbon, One Beer" released on The Sonet Blues Story in 2006.
The Casey Sisters And The Salt Flat Stompers – titled as "One Scotch, One Bourbon, One Beer".
Swing Cats – 2006 – titled as "One Scotch, One Bourbon, One Beer", released on Swing Cat Stomp album.
Zakiya Hooker (John Lee Hooker's daughter) – titled as "One Bourbon, One Scotch, One Beer"
Alexis Korner released a version of the song on his album Accidentally Borne in New Orleans.
Will Schuester (played by Matthew Morrison) and Shannon Beiste (played by Dot-Marie Jones) sang the song at a honky tonk bar in the Glee episode "Blame It on the Alcohol."
Admiral Bailey and Chaka Demus – titled as "One Scotch" released as a vinyl single on Jammy's Records in 1986.
The lyrics:
One bourbon, One Scotch and One beer.
I said hey mister bartender come in here!
I want another drink and I want it now.
My baby she's gone, she's been gone tonight,
I aint seen my girl since the night before last.
I wanna get drunk, get her off of my mind.
I wanna a bourbon, one scotch and one beer.

And then I sat there, Drinking,
Gettin high, mellow, knocked out, feelin good.
And after a while, I looked on the wall,
At the old clock.
By that time it was 11:30.
Gettin i little late
I looked down at the bar, at the bartender.
I said, Hey!
What do you want?
One bourbon, one scotch, and one beer.

Well my baby's gone, she's been gone tonight.
I ain't seen my baby since the night before last.
I wanna get drunk, get her off of my mind.
One bourbon, one scotch, and one beer.

And I saty there, I was drinking,
Getting stoned, and "dupe dupe"
Getting a little buzy in the head,
And after a while, I looked on the wall again,
And by that time, lees cold, for alcohol.
Then I looked down at the bar, at the bartender.
I said, Hey Mr. Bartender!
What do you want this time?
One bourbon, one scotch and one beer.

George Harrison - Got My Mind Set On You

Got My Mind Set on You is a song written by Rudy Clark and originally recorded by James Ray in 1962.
It is best known for the cover version released by George Harrison in 1987.
Of Harrison's three number-one singles in the US, it was the only song not written by Harrison and the only one without religious overtones. Not only was this the last US number 1 hit by Harrison, but from any of the ex-Beatles in the US. When the song hit number 1, it broke a three-way tie among Harrison, John Lennon and Ringo Starr, all of whom had two number 1 hit singles as solo artists. Paul McCartney leads in this category, with nine number 1 hits in the US. The single's B-side is "Lay His Head", written by Harrison. The 12-inch version of the single also adds an extended version of "Got My Mind Set On You". The single was also featured on his October 1988 album Cloud Nine.
In the UK the single spent four weeks at number two. It was kept off the number 1 spot by T'Pau's "China in Your Hand".
The song was included in the Harrison compilation albums Best of Dark Horse 1976-1989 (1989) and Let It Roll: Songs by George Harrison (2009). A live version was recorded for his Live in Japan (1992) album.
In 2010, AOL radio listeners chose "Got My Mind Set on You" as one of the 10 Best George Harrison Songs, appearing at number 4 on the list.
Harrison's version of the song was parodied by "Weird Al" Yankovic on his 1988 album Even Worse, as "(This Song's Just) Six Words Long".
Shakin' Stevens recorded the song for his 2006 album Now Listen.
The lyrics:
I got my mind set on you
I got my mind set on you
I got my mind set on you
I got my mind set on you

But it's gonna take money
A whole lotta spending money
It's gonne take plenty of money
To do it right child

It's gonna take time
A whole lot of precious time
It's gonna take patience and time, ummm
To do it, to do it, to do it, to do it, to do it,
To do it right child

I got my mind set on you
I got my mind set on you
I got my mind set on you
I got my mind set on you

And this time I know it's for real
The feelings that I feel
I know if I put my mind to it
I know that I really can do it

I got my mind set on you
Set on you
I got my mind set on you
Set on you

But it's gonna take money
A whole lotta spending money
It's gonna take plenty of money
To do it right child

It's gonna take time
A whole lot of precious time
It's gonna take patience and time, ummm
To do it, to do it, to do it, to do it, to do it,
To do it right child

I got my mind set on you
I got my mind set on you
I got my mind set on you
I got my mind set on you

And this time I know it's for real
The feelings that I feel
I know if I put my mind to it
I know that I really can do it

But it's gonna take money
A whole lotta spending money
It's gonna take plenty of money
To do it right child

It's gonna take time
A whole lot of precious time
It's gonna take patience and time, ummm
To do it, to do it, to do it, to do it, to do it,
To do it right

Set on you
Set on you
[Repeat]

Heart - What About Love?

What About Love is a song recorded by the rock band Heart, and released in June 1985. The band's "comeback" single, it was the first Heart track to reach the top 40 in three years, and their first top 10 hit in five. It was released as the first single from the band's self-titled 1985 album, Heart, as well as their first hit single on their new record label, Capitol Records.
The song was originally recorded in 1982 by Canadian rock group Toronto, of which songwriters Sheron Alton and Brian Allen were members. (The other songwriter, Jim Vallance, was not a member of Toronto, though he played drums on Toronto's recording of the song.) However, Toronto elected not to release their version, upsetting Alton and Allen. They subsequently left the band and the song was offered to Heart who turned it into a worldwide hit. Toronto's original version appears as a bonus cut on the CD Toronto: The Greatest Hits.
Grace Slick and Mickey Thomas, co-lead vocalists of Starship at the time, provide additional background vocals on the song.
The song's sound marked a considerable change in the musical direction for Heart, moving from the hard rock and folk rock of their earlier work to a more polished, power-ballad sound. "What About Love" received extensive airplay on MTV and returned Heart to the Top-10 of the U.S. Billboard Hot 100 for the first time in five years, peaking at #10.
The song peaked at #14 on the UK Singles Chart upon its re-release in 1988. Exclusively in its UK release, "What About Love" was also featured in an extended version on 12" and CD single versions.
The song's chorus was featured in a series of Swiffer WetJet TV commercials from late 2010 into the following year. The campaign followed a series of previous Swiffer commercials using popular songs of the '70s and '80s.
The lyrics:
I've been lonely
I've been waiting for you
I'm pretending and that's all I can do
The love I'm sending
Ain't making it through to your heart

You've been hiding - never letting it show
Always trying to keep it under control
You got it down and you're well
On your way to the top
But there's something that you forgot

What about love
Don't you want someone to care about you
What about love
Don't let it slip away
What about love
I only want to share it with you
You might need it some day

I can't tell you what you're feeling inside
And I can't sell you what you don't want to buy
Something's missing and you got to
Look back on your life
You know something here just ain't right

What about love
Don't you want someone to care about you
What about love
Don't let it slip away
What about love
I only want to share it with you

What about love
Don't you want someone to care about you
What about love
Don't let it slip away
What about love
I only want to share it with you

Guns N’ Roses - November rain

November Rain is a power ballad by American rock band Guns N' Roses, written by lead singer Axl Rose and released as a single in June 1992.
It appears on the album Use Your Illusion I.
It features a sweeping orchestral backing and is one of Guns N' Roses' longest songs.
"November Rain" peaked at number 3 on the U.S. Billboard Hot 100 chart.
According to Tracii Guns, former L.A. Guns guitarist and founding member, Rose had been working on the song since at least 1983. In an interview, he said the following about "November Rain":
“When we were doing that EP for L.A. Guns, like '83? He was playing "November Rain" — and it was called "November Rain" — you know, on piano. The guitar solo is amazing. Way back then. It was the only thing he knew how to play, but it was his. He'd go, "Someday this song is gonna be really cool." And I'd go, "It's cool now." "But it's not done", you know, he used to say. And, like, anytime we'd be at a hotel or anywhere, there'd be a piano; he'd just kinda play that music. And I'd go, "When are you gonna finish that already", you know? And he'd go, "I don't know what to do with it. ”
In 1985, Waggle Records (Pty.) Ltd. released in Australia a two-LP set titled "November Rain"/ "In Concert and Beyond" of an unidentified concert featuring a rough, acoustic version of the song. This early version of the song features finger-picked acoustic guitar, Rose on lead vocals, and a chorus of vocals in the background, as in the Use Your Illusion album version, but does not feature the extended guitar solos or the breakdown outro. As such, this live version clocks in at a running time of approximately 4:43.
Slash states in his autobiography that an 18-minute version of "November Rain" was recorded at a session with guitarist Manny Charlton (of rock band Nazareth) in 1986, before the recording sessions for Appetite for Destruction began.
According to a story told to the audience during the 2006 leg of the Chinese Democracy Tour, none of the other band members had wanted to partake in the production of this song (or the other notable ballad "Estranged"). Slash and McKagan were particularly opposed to the drift to symphonic ballads, and felt their choice of more direct rock songs were being overlooked by Rose. However, Axl talked them into it over discussions at Can-Am studios (where some of the album was recorded and mixed). It should be noted that claims of such harsh musical differences were specifically disputed by Slash in his autobiography.
Slash has said that the solo he played in the album version of the song (it is unclear which) was the same solo he played to the song when he heard it for the first time.
About music video
The narrative quality of the music video accentuated the epic nature of the song. The video (directed by Andrew "Andy" Morahan) portrays Rose marrying his then-girlfriend Stephanie Seymour, intercut with a live performance in a theatre. Particularly, it can be noted for its large budget (about $1 million, including Seymour's dress) and sweeping cinematography, which won an MTV Video Music Award for Best Cinematography. It is one of the most expensive music videos ever.
Slash is prominently featured in some of the video's most memorable scenes, including a sequence of helicopter shots swooping around him as he plays the first guitar solo and a later scene where he plays the third solo while standing on Rose's piano onstage. Casting coordinator Mark Roberton observed; "the camera-man had a lot of responsibility, as the crane-cam was so close to Slash, precariously stood atop a piano that was near the stage edge. One wrong twitch and the guitarist would've had a long drop!" The video for "November Rain" uses the full version of the song as opposed to an abridged version. Orpheum Theater, a theater in downtown Los Angeles was acquired for an evening shoot that went several hours into the night, and, unlike usual common practice, they didn't mime for any of the takes. Between several differing versions of "November Rain", while the cameras on cranes that swooped close to Slash's frets were reviewed and set up for the next shot – the band entertained the 1,500 extras by playing more of their songs.
For the outside shots of Slash while he is playing the first solo, Rose had originally envisioned it taking place in a "cool field" of sorts. However, since the video was shot in winter, there were no good-looking fields around, and eventually the band decided to use a church in New Mexico. Coincidentally, this was the same church used in the movie Silverado.
Brad Hartmaier art directed the New Mexico sequences at the Silverado Movie Ranch. Working from sketches he made while sitting in the hotel bar, Hartmaier managed to build and dress two church sets. The Exterior church set was a dilapidated old church that he trucked out to the middle of a large prairie. Multiple crews worked for 24 hours straight building a duplicate church complete with fly away walls, hand made cathedral windows and decorations befitting the southwestern region where it was shot. Hartmeier was in the church with a walkie-talkie with Slash as a helicopter circled above for the big shot. Slash asked him what he did and he replied, "I'm the art director slash prop man, slash painter, slash mad scientist." Slash quickly replied with a chuckle..."Ha ha, I'm just Slash." Hartmeier later said of working on the video, "It was the best experience of my life."
Nigel Phelps was the original Art Director; Hartmaier took his place when Phelps moved onto a feature film during the later part of the making of the video.
The priest in the video, an Italian man named Gianantonio, was a friend of Rose. Unbeknownst to the band, the church used for the interior shots was where the priest had performed some of his last services, eight years prior to the shooting of the video.
The music videos for "November Rain," "Don't Cry" and "Estranged" form an unofficial trilogy of sorts. While never specifically confirmed by the band, Rose and Del James have made statements supporting this idea. The similarity in production, style and plots can be considered evidence of this intent.
As stated at the end of the video, "November Rain" is based on the short story "Without You" by Del James, available in his 1995 book The Language of Fear. The story concerns a rock star grieving over the death of his on-and-off-again girlfriend, who had committed suicide (inspired by Rose's troubled relationship with Erin Everly).
While much speculation exists about how Seymour's character in the video died, the relationship between the video clip and James' short story strongly suggests that she kills herself. She appears looking visibly troubled during one shot of the wedding and during the funeral sequence, a mirror is visible, covering over half her face, a technique used by funeral homes to allow victims of head trauma to have the appearance of a full face in the event of an open casket funeral.
The video remained popular throughout the rest of the decade. At the end of 1992, MTV placed "November Rain" at #1 on their top 100 videos of that year. Subsequently, it often appeared at #1 or in the top 10 of several future all-time MTV countdowns throughout the '90s. In addition, the video was voted "Best Video Clip" in Metal Edge's 1992 Readers' Choice Awards.
The lyrics:
When I look into your eyes
I can see a love restrained
But darlin' when I hold you
Don't you know I feel the same

'Cause nothin' lasts forever
And we both know hearts can change
And it's hard to hold a candle
In the cold November rain

We've been through this such a long long time
Just tryin' to kill the pain

But lovers always come and lovers always go
An no one's really sure who's lettin' go today
Walking away

If we could take the time
To lay it on the line
I could rest my head
Just knowin' that you were mine
All mine
So if you want to love me
Then darlin' don't refrain
Or I'll just end up walkin'
In the cold November rain

Do you need some time...on your own
Do you need some time...all alone
Everybody needs some time...
On their own
Don't you know you need some time...all alone

I know it's hard to keep an open heart
When even friends seem out to harm you
But if you could heal a broken heart
Wouldn't time be out to charm you

Sometimes I need some time...on my
Own
Sometimes I need some time...all alone
Everybody needs some time...
On their own
Don't you know you need some time...all alone

And when your fears subside
And shadows still remain
I know that you can love me
When there's no one left to blame
So never mind the darkness
We still can find a way
'Cause nothin' lasts forever
Even cold November rain

Don't ya think that you need somebody
Don't ya think that you need someone
Everybody needs somebody
You're not the only one
You're not the only one

Macy Gray - I try

"I Try" is a song co-written and recorded by American musician Macy Gray. It was released in September 1999 as the second single from her debut album On How Life Is, released in North America in January 2000 (See below).
It was Gray's biggest hit to date. It peaked at number six in the United Kingdom, number five in the United States, and number one in Australia, New Zealand, and Ireland.
At the 2001 Grammy Awards, "I Try" won Best Female Pop Vocal Performance, the first to be awarded to an African-American artist winner in the category, since Toni Braxton's "Un-Break My Heart" in 1997, and was also nominated for Record of the Year and Song of the Year. It remains Gray's biggest hit single in the USA to date, and her only one to reach the Top 40 of the Billboard Hot 100. In 2010, the song was featured in an episode of The Office.
The video for the song, directed by Mark Romanek, depicts Gray waking up in a hotel room, buying flowers, and traveling through New York City to meet a man in a park. At one point she is seen entering a Lexington Avenue subway entrance, which at the time served the 6, E, and F lines. The platform which her train arrives on, however, is the 63rd Street Connector which would indeed become the Lexington Avenue F line stop one year later.
At the 2000 MTV Video Music Awards, the video won Best New Artist and was nominated for Best Female Video.
The lyrics:
Games, changes and fears
When will they go from here
When will they stop
I believe that fate has brought us here
And we should be together babe
But we're not
I play it off, but I'm dreaming of you
And I'll keep my cool, but I'm fiendin'

[Chorus]
I try to say goodbye and I choke
Try to walk away and I stumble
Though I try to hide it, it's clear
My world crumbles when you are not here
Goodbye and I choke
I try to walk away and I stumble
Though I try to hide it, it's clear
My world crumbles when you are not here

I may appear to be free
But I'm just a prisoner of your love
And I may seem all right and smile when you leave
But my smiles are just a front
Just a front, hey
I play it off, but I'm dreaming of you
And I'll try to keep my cool, but I'm fiendin'

[Chorus]

Here is my confession
May I be your possession
Boy, I need your touch
Your love, kisses and such
With all my might I try
But this I can't deny
Deny

I play it off, but I'm dreaming of you
(but I'm dreaming of you babe)
And I'll keep my cool, but I'm fiendin'

Maria Pescaru Design

{facebook#https://www.facebook.com/zamolxisvortexgame/} {twitter#https://twitter.com/escudesign} {google-plus#YOUR_SOCIAL_PROFILE_URL} {pinterest#YOUR_SOCIAL_PROFILE_URL} {youtube#YOUR_SOCIAL_PROFILE_URL} {instagram#YOUR_SOCIAL_PROFILE_URL}

Formular de contact

Nume

E-mail *

Mesaj *

Un produs Blogger.
Javascript DisablePlease Enable Javascript To See All Widget