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Garou - Je suis le même

Garou (né Pierre Garand le 26 juin 1972 à Sherbrooke) est un chanteur canadien. Il a étudié au Séminaire de Sherbrooke.
Il devient célèbre en France en interprétant le personnage de Quasimodo dans la comédie musicale Notre-Dame de Paris de Richard Cocciante et Luc Plamondon.
Puis, en 2000, il entame une carrière solo avec l'album Seul. Garou a chanté en mars 2002 au palais omnisports de Paris-Bercy devant près de 11 000 spectateurs.
En novembre 2003, il sort son deuxième album intitulé Reviens, puis en juin 2006 son troisième opus tout simplement baptisé Garou.
Le chanteur a déjà fait plusieurs tournées en passant par le Canada, la Pologne, la Russie, le Liban, la France, la Belgique et la Suisse.
Le 6 mai 2008, il lance au Canada son quatrième album en carrière et premier album en anglais intitulé Piece of My Soul.
Le 4 décembre 2009 sort un album de reprises: Gentleman cambrioleur. Plusieurs DVD de ses tournées sont d'ailleurs disponibles.
Il a sorti le 29 novembre 2010 son 6e album studio intitulé Version intégrale, dont le premier extrait envoyé aux médias est J'avais besoin d'être là (par ailleurs en écoute libre sur son site).
Depuis 2012, il est coach dans l'émission The Voice, la plus belle voix au côté de Jenifer, Florent Pagny et Louis Bertignac, qui est remplacé par Mika en 2014.
Vie privée
Le 17 mai 2001 Garou a un accident dans sa Ferrari, après avoir tapé la glissière de sécurité, le moteur de son véhicule prend feu, il a tout juste le temps de sortir, il déclarera s'être endormi3.
Il a une fille, prénommée Émelie4, née le 7 juillet 2001 du mannequin suédois Ulrika5.
De janvier 2007 à juin 20106, il a été le compagnon de la chanteuse Lorie, qu'il avait rencontrée lors de la tournée des Enfoirés (dont il est un fidèle)7.
À la mi-avril 2013, il présente sa nouvelle compagne, une top-modèle canadienne dénommée Stéphanie Fournier8.
Paroles:
Je suis le même que t'as connu
Celui là même qui t'as ému
Je suis le même que t'as voulu
Qui malgré lui t'auras déçu
Je suis le même que t'as aimé
Rien de meilleur mais rien de pire
Et le même coeur quoi qu'tu puisses en dire
Plein de tendresse, de maladresse
Je suis le même pour toi
Je suis le même que t'as connu
qui aujourd'hui avoue se sentir perdu
Je suis le même que t'as voulu
Purgeant sa peine comme un pauvre gars perdu
Je suis le même que t'as aimé
Qui te jure qu'il n'a pas changé
Je suis le même qui t'as aimé
Je suis le même que t'as connu
C'est bien celui en qui t'as cru
Je suis le même que t'as voulu
Tu es pour lui son seul salut
Je suis le même que t'as aimé
Rien de meilleur mais rien de pire
Et le même coeur quoi qu'tu puisses en dire
Plein de tendresse, de maladresse
Je suis le même pour toi
Je suis le même que t'as connu
Qui aujourd'hui avoue se sentir perdu
Je suis le même que t'as voulu
Purgeant sa peine comme un pauvre gars perdu
Je suis le même que t'as aimé
Qui te jures qu'il n'a pas changé
Je suis le même que t'as aimé
Je suis le même que t'as connu
Qui aujourd'hui avoue se sentir perdu
Je suis le même que t'as voulu
Qui a tes pieds te dépose son âme a nue
Je suis le même que t'as aimé
Qui te jure qu'il n'a pas changé
Je suis le même que t'as
Je suis le même que t'as

Je suis le même que t'as aimé

Sting and Stevie Wonder - Fragile (live)


Here is Sting with Stevie Wonder - "Fragile" (From Sting's 60th birthday celebration, 10/1/11 at the Beacon Theater in NYC).
Sting and Stevie Wonder with Dominic Miller (gtr), David Sancious (kbs), Christian McBride (bass), Vinnie Colaiuta (dms) and Rhani Krija (perc).
"Fragile" is a song composed by English musician Sting from his 1987 album ...Nothing Like the Sun. Released as a single the following year, it placed to number 70 on the UK Singles Chart.
Sung additionally in both Spanish and Portuguese under the titles Fragilidad and Fragil, it appeared twice more on his 1988 EP variant of the album, Nada como el sol.
The song is a tribute to Ben Linder, an American civil engineer who was killed by the Contras in 1987 while working on a hydroelectric project in Nicaragua.
It was one of the songs that it appeared in the 1992 Academy Award winning documentary film "The Panama Deception", about the U.S. Invasion of Panama in December 1989.
"Fragile" was the opening song in Sting's ...All This Time concert, recorded on the evening of the September 11 attacks in 2001.
The song also appears in the closing scenes of "Come from the Shadows", episode 59, of 21 Jump Street, the fourth episode of Season Four.
The song also appears in the 1995 Oscar nominated documentary The Living Sea.
Covers
The song has been covered by many international artists including Québécois singer Bruno Pelletier, Turkish bağlama artist Ahmet Koç, American jazz singer Cassandra Wilson, American trumpeter Freddie Hubbard, American soul singer Isaac Hayes, Mercedes Sosa and Pedro Aznar from Argentina, Nils Landgren, Shirley Clamp, Dionne Warwick, Julio Iglesias, Anita Lipincka, Jesse Cook, Stringmansassy and Holly Cole.
It was performed during the opening ceremony of the 2002 Winter Olympics.
It has scored rendition on the instrumental music side as well, trumpeter Bruce Glover covered the song from his 2005 album "Fragile."
In 2006, saxophonist Michael Lington covered the song from his album "A Song for You."
The following year, guitarist Blake Aaron covered the song from his album "Desire."
Brazilian recording artist Marina Elali recorded a Brazilian version of the song for her self-titled debut album, also singing some parts in English.
A version is on this post, played by Sting with Stevie Wonder.
The lyrics:
If blood will flow when flesh and steel are one
Drying in the colour of the evening sun
Tomorrow's rain will wash the stains away
But something in our minds will always stay
Perhaps this final act was meant
To clinch a lifetime's argument
That nothing comes from violence and nothing ever could
For all those born beneath an angry star
Lest we forget how fragile we are

On and on the rain will fall
Like tears from a star, like tears from a star
On and on the rain will say
How fragile we are, how fragile we are

On and on the rain will fall
Like tears from a star, like tears from a star
On and on the rain will say
How fragile we are, how fragile we are

How fragile we are, how fragile we are

Luciano Pavarotti & James Brown - It's a man's world (live)


James Brown performed with Luciano Pavarotti on May 28,2002 at a concert titled, "Pavarotti & Friends" benefiting the people of Angola.
This pairing an unexpected duo.
Pavarotti's more formal operatic style teamed with The Godfather of Soul, James Brown.
Two men blessed with incredibly powerful voices balance and complement each other so surprisingly well.
The song's lyrics, which Rolling Stone characterized as "almost biblically chauvinistic", attribute all the works of modern civilization (the car, the train, the electric light) to the efforts of men, but claim that it all would "mean nothing without a woman or a girl."
Brown's co-writer and onetime girlfriend, Betty Jean Newsome, wrote the lyrics based on her own observations of the relations between the sexes.
In later years, Newsome would claim that Brown didn't write any part of the song and argued in court that Brown sometimes forgot to pay her royalties.
The composition of It's a Man's Man's Man's World developed over a period of several years. Tammy Montgomery, better known as Tammi Terrell, recorded "I Cried", a Brown-penned song based on the same chord changes, in 1963. Brown himself recorded a demo version of the song, provisionally entitled "It's a Man's World", in 1964. This version later appeared on the CD compilations The CD of JB and Star Time.
The released version of "It's a Man's Man's Man's World" was recorded quickly, in only two takes, with a studio ensemble that included members of Brown's touring band and a string section arranged and conducted by Sammy Lowe. A female chorus was involved in the recording sessions, but their parts were edited out of the song's final master.
"It's a Man's Man's Man's World" became a staple of Brown's live shows for the rest of his career. Its slow, simmering groove and declamatory vocal line made it suitable for long, open-ended performances incorporating spoken ruminations on love and loss and sometimes interpolations from other songs.
It appears on almost all of Brown's live albums starting with 1967's Live at the Garden. Brown also recorded a big band jazz arrangement of the song with the Louie Bellson Orchestra for his 1970 album Soul on Top.
In 2004, "It's a Man's Man's Man's World" was ranked number 123 on Rolling Stone magazine's list of the 500 greatest songs of all time.
The song has been recorded by many artists in various idioms over the years.
The lyrics:
This is a man's world, this is a man's world
But it wouldn't be nothing, nothing without a woman or a girl

You see, man made the cars, to take us over the road
Man made the train, to carry the heavy load
Man made the electric light, to take us out of the dark
Man made the boat for the water, like Noah made the ark

This is a man's, man's, man's world
But it wouldn't be nothing, nothing without a woman or a girl

Man thinks about a little baby girls and a baby boys
Man makes then happy, 'cause man make them toys
And after man make everything, everything he can
You know that man makes money, to buy from other man

This is a man's world
But it wouldn't be nothing, nothing not one little thing
Without a woman or a girl

He's lost in the wilderness
He's lost in bitterness

He's lost, lost somewhere 

Scott MacKenzie - San Francisco (Be Sure to Wear Flowers in Your Hair)

San Francisco (Be Sure to Wear Flowers in Your Hair) is an American pop music song, written by John Phillips of The Mamas & the Papas, and sung by Scott McKenzie.
The song was produced and released in May 1967 by Phillips and Lou Adler, who used it to promote their Monterey International Pop Music Festival held in June of that year.
John Phillips played guitar on the recording and session musician Gary L Coleman played orchestra bells and chimes. The bass line of the song was supplied by session musician Joe Osborn. Hal Blaine played drums.
McKenzie's version of the song has been called "the unofficial anthem of the counterculture movement of the 1960s.
The lyrics of the song tell the listeners, "If you're going to San Francisco, be sure to wear some flowers in your hair".
Due to the difference between the lyrics and the actual title, the title is often quoted as "San Francisco (Be Sure to Wear Some Flowers in Your Hair)".
"San Francisco," released on May 13, 1967, was an instant hit. By the week ending July 1, 1967, it reached the number four spot on the Billboard Hot 100 in the USA, where it remained for four consecutive weeks.
Meanwhile, the song rose to number one in the UK and most of Europe. The single is purported to have sold over 7 million copies worldwide.
Phillips reported writing the song in about 20 minutes.
The song is credited with bringing thousands of young people to San Francisco, California, during the late 1960s.
In Central Europe, young people adopted "San Francisco" as an anthem for freedom, and it was widely played during Czechoslovakia's 1968 Prague Spring uprising.
The song has been featured in several films, including Frantic, The Rock, and Forrest Gump. Episode 2 in season 1 of "Getting On (U.S. TV series)" featured the song, as it was sung by one of the patients and was used over the episode's closing credits.
It was also played occasionally by Led Zeppelin as part of the improvised section in the middle of "Dazed and Confused".
U2's Bono also led the audience in singing this song during their PopMart performances in the San Francisco Bay Area on June 18 and 19, 1997.
The lyrics:
If you're going to San Francisco
Be sure to wear some flowers in your hair
If you're going to San Francisco
You're gonna meet some gentle people there

For those who come to San Francisco
Summertime will be a love-in there
In the streets of San Francisco
Gentle people with flowers in their hair

All across the nation such a strange vibration
People in motion
There's a whole generation with a new explanation
People in motion people in motion

For those who come to San Francisco
Be sure to wear some flowers in your hair
If you come to San Francisco
Summertime will be a love-in there

If you come to San Francisco

Summertime will be a love-in there

Joan Baez - Gracias a la vida (Live, 2000)

Live at Festival des Vieilles Charrues, Carhaix, Bretagne, FRANCE, 2000.
This is one of Joan Baez's classics, although it's a cover of a song written by a Chilean folk singer and visual artist: Violeta Parra, who committed suicide in 1967.
Her song "Gracias a la vida", composed one year before her death, is one of the most covered latin american songs.
Legendary folk singer Joan Baez brought the song to the American audiences in 1974 when she included a cover of the song on her Spanish language album of the same name.
It remains a concert staple of Baez' to this day.
Finnish singer Arja Saijonmaa recorded this song in both Finnish (Miten voin kyllin kiittää) and Swedish (Jag vill tacka livet). Her Swedish interpretation is one of the most well-known of her Swedish-language oeuvres.
Canadian singer/songwriter Nancy White recorded her English translation (with permission of Warner Chappell Music Argentina (SADAIC))on her 1998 Borealis cd "Gaelic Envy".
One of the artists most associated with "Gracias a la vida" is the Argentine singer Mercedes Sosa. "Gracias a la vida" became something of a personal anthem for Sosa and was a constant in all of her performances up until her death.
Cover versions
Cecilia en Gracias a la vida (1970)
Isabel Parra on Los Parra de Chile (1970)
Chagual on Tu canto Viola doliente (1970)
Mercedes Sosa on Homenaje a Violeta Parra (1971)
Alberto Cortez Ni poco... ni demasiado (1973)
Gabriella Ferri on Remedios (1974)
Raphael on Recital hispanoamericano (1975)
Elis Regina on Falso Brilhante (1976)
Sonia la Única on Sonia canta a Violeta Parra (1980)
Richard Clayderman on América Latina Mon Amour (1992)
Richard Clayderman on América Latina... mon amour (1992)
Plácido Domingo on Canciones de amor (2003) y De mi alma latina (1994)
Joan Baez on Gracias a la Vida (1974) and Ring Them Bells (1995)
Nana Mouskouri on Nana Latina (1996)
Luis Jara on Lo Nuestro... ayer y hoy (1999)
Issac Delgado on La Formula (2000)
Los Bunkers on Después de vivir un siglo (2001)
Alberto Cortez on Leyendas: Alberto Cortez (2005)
Yasmin Levy on La Judería - Ladino meets flamenco (2005)
La Oreja de Van Gogh on "Festival de Viña del Mar" (2005)
Amaury Pérez and Frank Fernández on Los dúos (2006)
Gloria Simonetti on 40 años de gloria (2007)
Ángel Parra on Violeta se fue a los cielos (2007)
Los Tres on Cantores que reflexionan: sintiendo a Violeta (2007)
Jorge González on Cantores que reflexionan: sintiendo a Violeta (2007)
Verónica Garay Opaso on Así (2007)
Verónica Garay Opaso on Así (2007)
Pasión Vega on Gracias a la vida (2009)
Pasión Vega on Gracias a la vida (2009)
Rosario Flores on Cuéntame (2009)
Michael Bublé on Gracias a la Vida: Voces Unidas por Chile (2010) to gather funds for the Chilean people affected by the earthquake in Chile, February 2010 http://www.vocesunidasporchile.com/
Margareth Menezes on Naturalmente Acústico (2010)
Erwin Schrott on Rojotango (2011)
Margarita (La Diosa de la Cumbia) on her DVD "Sinfonica' (2011)
Laura Pausini en vivo en varios conciertos
Óscar Chávez on 16 exitos de oro
Nicole Natalino's performance of Gracias a la vida was controversial
Miri Mesika (2013)
The lyrics:
Gracias a la Vida que me ha dado tanto
me dio dos luceros que cuando los abro
perfecto distingo lo negro del blanco
y en el alto cielo su fondo estrellado
y en las multitudes el hombre que yo amo.

Gracias a la vida, que me ha dado tanto
me ha dado el oido que en todo su ancho
graba noche y dia grillos y canarios
martillos, turbinas, ladridos, chubascos
y la voz tan tierna de mi bien amado.

Gracias a la Vida que me ha dado tanto
me ha dado el sonido y el abedecedario
con él las palabras que pienso y declaro
madre amigo hermano y luz alumbrando,
la ruta del alma del que estoy amando.

Gracias a la Vida que me ha dado tanto
me ha dado la marcha de mis pies cansados
con ellos anduve ciudades y charcos,
playas y desiertos montañas y llanos
y la casa tuya, tu calle y tu patio.

Gracias a la Vida que me ha dado tanto
me dio el corazón que agita su marco
cuando miro el fruto del cerebro humano,
cuando miro el bueno tan lejos del malo,
cuando miro el fondo de tus ojos claros.

Gracias a la Vida que me ha dado tanto
me ha dado la risa y me ha dado el llanto,
así yo distingo dicha de quebranto
los dos materiales que forman mi canto
y el canto de ustedes que es el mismo canto

y el canto de todos que es mi propio canto.

Bob Dylan - Things Have Changed

Things Have Changed is a song from the film Wonder Boys, written and performed by Bob Dylan.
The song was released as a single on May 1, 2000.
"Things Have Changed" won the Academy Award, and the Golden Globe Award for Best Original Song.
The director of Wonder Boys, Curtis Hanson, also created a music video for "Things Have Changed", filming new footage of Dylan on the film's various locations and editing it with footage used in Wonder Boys as if Dylan were actually in the film.
"Things Have Changed" has been used in the Showtime series Brotherhood and twice in the CBS series NCIS, and is featured on the NCIS soundtrack.
The track peaked at #58 in the UK Singles Chart.
The lyrics:
I'm a worried man, got a worried mind
No one in front of me, no one behind
There's a woman on my lap and she's drinking champagne.
Got white skin, got assassin's eyes
I'm looking up into the sapphire tinted skies
I'm well dressed, waiting on the last train.
Standin' on the gallows with my head in a noose
Any minute now I'm expectin' all hell to break loose.
People are crazy and times are strange
I'm locked in tight, I'm outta range
I used to care, but things have changed.

This place ain't doing me any good
I'm in the wrong town, I should be in Hollywood
Just for a second there I thought I saw something move
Gonna take dancing lessons do the jitterbug rag
Ain't no shortcuts, gonna dress in drag
Only a fool in here would think he's got anything to prove.
Lot of water under the bridge, lot of other stuff too
Don't get up gentlemen, I'm only, I'm only passing through.
People are crazy, times are strange
I'm locked in tight, I'm out of range
I used to care, but things have changed

I've been walking forty miles of bad road
If the bible is right, the world will explode
I'm trying to get as far away from myself as I can.
Things are too hot to touch
The human mind can only stand so much
You can't win with a losin' hand.
Feel like fallin' in love with the first woman I meet
Puttin' her in a wheel barrow, wheelin' her down the street.
People are crazy, times are strange
I'm locked in tight, I'm out of range
I used to care, but things have changed.

I hurt easy, I just don't show it
You can hurt someone and not even know it
The next sixty seconds could be like an eternity.
Gonna get low down, gonna fly high
All the truth in the world adds up to one big lie
I'm in love with a woman that don't even appeal to me.
Mr. Jinx and Miss Lucy, they, they jumped in the lake
I'm not that eager, not that eager to make a mistake.
People are crazy, times are strange
I'm locked in tight, I'm outta range

I used to care, but things have changed.

Donovan - Catch The Wind (Live, 2011)

Catch the Wind is a song written and recorded by British singer-songwriter Donovan.
It was released as a single in the United Kingdom on March 12, 1965 through Pye Records (Pye 7N 15801) and a few months later in the United States through Hickory Records (Hickory 45-1309). 
"Catch the Wind" was the first release by Donovan.
It reached No.4 in the United Kingdom singles chart and No.23 in the United States Billboard Hot 100.
The single version featured Donovan's vocals with echo and a string section. The song was re-recorded for Donovan's first album What's Bin Did and What's Bin Hid without the vocal echo and strings.
When Epic Records was compiling Donovan's Greatest Hits, they were either unable or unwilling to secure the rights to the original recordings of "Catch the Wind" and "Colours". Donovan re-recorded both songs with a full backing band, and the re-recordings were included on the greatest hits album.
Contemporary usage
In 1985, the TV show Miami Vice used the song at the beginning of the episode "Golden Triangle (Part II)".
In 1989, the TV show, The Wonder Years used the song at the end of the episode "Brightwing".
In 1992, in the movie The Efficiency Expert.
In 2005, the TV show, Cold Case used this song at the end of the episode "A Perfect Day".
In 2006, the TV show, Alias used this song at the end of the episode "No Hard Feelings".
In 2006, the song was featured in the movie Flicka.
In 2007, GE Ecomagination used the song in a television commercial promoting their achievements in wind power.
In 2009, thatgamecompany used it in a promotional advertisement of PlayStation Network title Flower.
In 2009 MassMutual used the song in a personal financial services commercials.
In 2009, the movie, The Invention of Lying used almost the whole track following the scene in which the protagonist's mother dies.
In 2009, the movie, Charlie and Boots, used the song as the final scene, in which the two protagonists fish together.
In 2011, the TV show, Parenthood used this song at the end of the November 8th episode, "In-Between".
Cover versions
Johnny Rivers (1965)
Liedermacher Reinhard Mey recorded a German version, "Geh und fang den Wind", which was his first single release. (His name here is incorrectly spelled Rainer May). The translation was done by Joe Menke.[2]
The Blues Project on their 1966 album, Live at The Cafe Au Go Go
Cher (1966)
Siluete (1966)
Bruce Springsteen (1967)
Glen Campbell (1967)
Claudine Longet (1968)
Dottie West (1968)
Lester Flatt & Earl Scruggs (1968)
Peter Fonda (1968) on the Chisa label, as the B-side to his version of Gram Parsons' "November Night"
The Lettermen (1970)
Mike Berry (1970, recorded under the name "Timothy Barclay")
We Five (1970)
Buck Owens (1971)[3]
Eartha Kitt (1972)[4]
Sammy Hagar on his 1977 album, Sammy Hagar
Vern Gosdin on his 1978 album, Never My Love
Susanna Hoffs on her 1994 album, Susanna Hoffs and also appeared on the UK CD single for the song "All I Want".[5]
Four to the Bar on their 1995 album, Another Son
The Irish Descendants on their 1995 album, Gypsies and Lovers
Arjen Anthony Lucassen on his 1997 album, Strange Hobby
Katey Sagal on her 2004 album, Room
The Spill Canvas on their 2007 album, Denial Feels So Good
Liane Carroll on her 2007 album Slow Down
Jimmy LaFave on his 2007 album, Cimarron Manifesto
Adam Bomb and the WMD's on their 2009 album, Live from Tehran
Chet Atkins
Joan Baez and Mimi Fariña recorded a duet which appeared on the "Generations of Folk" series (Volume 3, Classic Harmonies).
Paul Revere and the Raiders
Rickie Lee Jones on her 2012 album, Devil You Know
Adam Bomb and the WMDs on their 2009 album "Live from Tehran"
The lyrics:
In the chilly hours and minutes
Of uncertainty
I want to be
In the warm hold of your loving mind.

To feel you all around me
And to take your hand
Along the sand
Ah, but I may as well try and catch the wind.

When sundown pales the sky
I wanna hide a while
Behind your smile
And everywhere I'd look, your eyes I'd find.

For me to love you now
Would be the sweetest thing,
T'would make me sing
Ah, but I may as well try and catch the wind.

Dee dee da da la da da da da da
Ya da da, da da, da da

When rain has hung the leaves with tears
I want you near
To kill my fears
To help me to leave all my blues behind.

For standing in your heart
Is where I wanna be
And I long to be,
Ah, but I may as well try and catch the wind.


Ah, but I may as well try and catch the wind

Ewan McGregor and Nicole Kidman - Come What May

Come What May is a phrase that originates from Shakespeare's Macbeth and means: let whatever events crop up come to pass.
It is the romantic love theme from Baz Luhrmann's 2001 film Moulin Rouge!
It is sung by Ewan McGregor and Nicole Kidman in their respective roles as Christian and Satine.
The heartfelt and pure romantic love song on the soundtrack album and the film differ slightly.
The lyrics "Every day I love you more and more" and "Listen to my heart, can you hear it sing / Telling me to give you everything" can be heard on the soundtrack version.
In the movie, they are replaced by a musical interlude the first time, and, the second time, Satine sings instead of the latter part: "come back to me and forgive everything."
The single version can be found on the original soundtrack, while the original film version can be found on the follow-up soundtrack.
When the forbidden strong and close romantic relationship between Christian and Satine has been discovered, Christian pens this romance song and includes it in the musical he is currently writing. Each time either of them sings this song, they can secretly declare their equally deep and true romantic love for each other.
This plays an important role later in the film, as lies and jealousy make it difficult for the truth to stand out.
Awards
"Come What May" was nominated for a 2002 Golden Globe Award for Best Original Song - Motion Picture, where it lost to Sting's "Until" from Kate and Leopold.
However, it was ineligible for a nomination for the Academy Award for Best Song because it was originally written with another film in mind: Luhrmann's previous project William Shakespeare's Romeo + Juliet.
The song was ranked on the AFI's 100 Years... 100 Songs at number 85.
The lyrics:
Never knew I could feel like this
Like I've never seen the sky before
Want to vanish inside your kiss
Every day I love you more and more

Listen to my heart, can you hear it sing?
Telling me to give you everything
Seasons may change, winter to spring
But I love you until the end of time

Come what may, come what may
I will love you until my dying day

Suddenly the world seems such a perfect place
Suddenly it moves with such a perfect grace
Suddenly my life doesn't seem such a waste
It all revolves around you

And there's no mountain too high, no river too wide
Sing out this song and I'll be there by your side
Storm clouds may gather and stars may collide
But I love you, I love you
Until the end of time
(Until the end of time)

Come what may, come what may
I will love you until my dying day
Oh, come what may, come what may
I will love you, I will love you

Suddenly the world seems such a perfect place

Come what may, come what may

I will love you until my dying day

R.E.M. - Leaving New York
Leaving New York is a song by the American alternative rock band R.E.M.. It was the first single from the band's 2004 album Around the Sun.
Although it was not as heavily promoted as earlier singles, it reached as high as #5 on the UK Singles Chart.
In early live performances of the song (September 2004), the band would play Michael Stipe's "It's pulling me apart. Change." album backing vocal during the chorus and bridge of live performances. As early as February 2005, however, as evidenced on the R.E.M. Live disc, the band worked up an alternative whereby the backing vocals would be shared amongst Mike Mills, Scott McCaughey and Ken Stringfellow in order to make the song flow more smoothly.
As Stipe stated in interviews, the tune is a love song to the city. Stipe regards New York as his second hometown. Stipe stated that once, flying out of the city and seeing it from above, he was overwhelmed by its beauty and wrote the song right there on the plane.
The music video was shot with real friends of the band members, throwing a party, and snapshots of Stipe in different places of the city, giving the video a spontaneous and private atmosphere.
The lyrics:
It's quiet now
And what it brings
Is everything

Comes calling back
A brilliant night
I'm still awake

I looked ahead
I'm sure I saw you there

You don't need me
To tell you now
That nothing can compare

You might have laughed if I told you
You might have hidden A frown
You might have succeeded in changing me
I might have been turned around

It's easier to leave than to be left behind
Leaving was never my proud
Leaving New York, never easy
I saw the light fading out

Now life is sweet
And what it brings
I tried to take
But loneliness
It wears me out
It lies in wait

And I've lost
Still in my eyes
The shadow of necklace
Across your thigh
I might've lived my life in a dream, but I swear
This is real
Memory fuses and shatters like glass
Mercurial future, forget the past
It's you, it's what I feel.

You might have laughed if I told you (it's pulling me apart)
You might have hidden a frown (change)
You might have succeeded in changing me (it's pulling me apart)
I might have been turned around (change)

It's easier to leave than to be left behind (it's pulling me apart)
Leaving was never my proud (change)
Leaving New York, never easy (it's pulling me apart)
I saw the light fading out
You find it in your heart, it's pulling me apart
You find it in your heart, change...

I told you, forever
I love you, forever
I told you, I love you
I love you, forever
I told you, forever
You never, you never
You told me forever

You might have laughed if I told you
You might have hidden the frown
You might have succeeded in changing me
I might have been turned around

It's easier to leave than to be left behind (it's pulling me apart)
Leaving was never my proud (change)
Leaving New York never easy (it's pulling me apart)
I saw the life fading out (change)
Leaving New York, never easy (it's pulling me apart)
I saw the light fading out (change)
Leaving New York never easy (it's pulling me apart)

I saw the life fading out (change)

Maria Pescaru Design

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