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Bruce Springsteen - Death To My Hometow (live in Apollo Theater, 2012) 


"Death to My Hometown" is a song written and recorded by American musician Bruce Springsteen and it is expected to be the third single from his album, „Wrecking Ball”. It is a thinly-veiled protest song notable for Springsteen's experimentation with celtic-rock rhythms.
The song is an allegorical protest song concerning the causes and fallout of the 2008 economic crisis. Springsteen uses archaic imagery to show how "death" came to his hometown not by war, but by reckless economic practices. He also references the lack of accountability for the dishonest practices by bankers that lead to the crisis in the first place. "The greedy thieves who came around/And ate the flesh of everything they found/Whose crimes have gone unpunished now/Who walk the streets as free men now," he sings. 
The lyrics are: 
Well, no cannon ball did fly, no rifles cut us down
No bombs fell from the sky, no blood soaked the ground
No powder flash blinded the eye
No deathly thunder sounded
But just as sure as the hand of God
They brought death to my hometown
They brought death to my hometown

Now, no shells ripped the evening sky
No cities burning down
No army stormed the shores for which we’d die
No dictators were crowned
I awoke on a quiet night, I never heard a sound
The marauders raided in the dark
And brought death to my hometown
They brought death to my hometown

They destroyed our families, factories 
And they took our homes
They left our bodies on the plains
The vultures picked our bones

So, listen up my sonny boy, be ready when they come
For they’ll be returning sure as the rising sun
Now get yourself a song to sing 
And sing it ’til you’re done
Sing it hard and sing it well
Send the robber barons straight to hell
The greedy thieves who came around
And ate the flesh of everything they found
Whose crimes have gone unpunished now
Who walk the streets as free men now

They brought death to our hometown, boys
Death to our hometown
Death to our hometown, boys
Death to our hometown

White Lion - Broken Heart (1985) 

 

Scurt și la obiect: 
"Broken Heart'" is a song by hard rock band White Lion and was their debut single.
The song was originally from the band's Fight to Survive album in 1985 and featured a music video, but was later re-recorded and re-released as the second single from the Mane Attraction album in 1991 which peaked at number 61 on The Billboard 200.
White Lion - vocal: Mike Tramp, guitar: Vito Bratta, bass: James Lomenzo, drums: Greg D' Angelo 
The lyrics are:
Here I stand, all alone
Trying to fight the pain from a broken heart
Why she left me? I don't know
It really doesn't matter anymore
I thought our love could last forever
But here I stand lost and all alone
Chorus:
There is life even after a broken heart
You can fight 
the pain from a broken heart, broken heart
Start a new day, but not alone
I'm gonna break away this broken heart
I'll meet a woman. I'm gonna take her home
Where I'll pick all (up?) the pieces and start all over again
I know that life will be much better
Cause' know the sun will shine again
You baby I know
Chorus x1
There is life even after a broken heart, broken heart
You can fight 
the pain from a broken heart, broken heart
I know that life will be much better
Cause know the light will shine again
You baby I know... baby I know
There is life even after a broken heart
Chorus x2
There is life even after a broken heart, broken heart
You can fight 
the pain from a broken heart, broken heart

Bob Marley - Redemption song (live, 1981) 

"Redemption Song" is a song by Bob Marley. It is the final track on Bob Marley & the Wailers' ninth album, Uprising, produced by Chris Blackwell and released by Island Records.
Some key lyrics derived from a speech given by the Pan-Africanist orator Marcus Garvey.
At the time he wrote the song, circa 1979, Bob Marley had been diagnosed with the cancer in his toe that later was to take his life. According to Rita Marley, "he was already secretly in a lot of pain and dealt with his own mortality, a feature that is clearly apparent in the album, particularly in this song".
Unlike most of Bob Marley's tracks, it is strictly a solo acoustic recording, consisting of Marley singing and playing an acoustic guitar, without accompaniment.
"I carried Bob Marley’s Redemption Song to every meeting I had with a politician, prime minister, or president. It was for me a prophetic utterance or as Bob would say ‘the small ax that could fell the big tree’. The song reminded me that freedom always comes with a cost, but for those who would prepare to pay it, maybe ‘emancipation from mental slavery’ would be our reward", says Bono from U2. 

The lyrics are: 

Old pirates, yes, they rob I;
Sold I to the merchant ships,
Minutes after they took I
From the bottomless pit.
But my hand was made strong
By the 'and of the Almighty.
We forward in this generation
Triumphantly.
Won't you help to sing
This songs of freedom
'Cause all I ever have:
Redemption songs;
Redemption songs.
Emancipate yourselves from mental slavery;
None but ourselves can free our minds.
Have no fear for atomic energy,
'Cause none of them can stop the time.
How long shall they kill our prophets,
While we stand aside and look? Ooh!
Some say it's just a part of it:
We've got to fullfil the book.

Won't you help to sing
This songs of freedom-
'Cause all I ever have:
Redemption songs;
Redemption songs;
Redemption songs.

Emancipate yourselves from mental slavery;
None but ourselves can free our mind.
Wo! Have no fear for atomic energy,
'Cause none of them-a can-a stop-a the time.
How long shall they kill our prophets,
While we stand aside and look?
Yes, some say it's just a part of it:
We've got to fullfil the book.
Won't you have to sing
This songs of freedom? -
'Cause all I ever had:
Redemption songs -
All I ever had:
Redemption songs:
These songs of freedom,
Songs of freedom.

Def Leppard - Love Bites (live in Don Valley) 



"Love Bites" is a power ballad recorded by british rock band Def Leppard in 1987 on the album „Hysteria”.
The title "Love Bites" was originally used for a very different song that was eventually re-titled "I Wanna Be Your Hero", and which appeared as a Hysteria B-side and later on the album Retro Active.
Following the huge momentum generated by "Pour Some Sugar on Me", the song was released in August 1988 and quickly shot to the top of the U.S. charts, dethroning Bobby McFerrin's "Don't Worry Be Happy". It stayed there for one week before giving up the position to UB40's "Red Red Wine". The song also hit number eleven in the UK (their second best showing from the album).
UPCOMING: Great Britain’s premier arena rock band Def Leppard will take over The Joint at Hard Rock Hotel & Casino Las Vegas in the spring of 2013 with „Viva Hysteria!”. Details are here. 
The lyrics are: 
Motto: 
If you've got love in your sights 
Watch out, love bites 

When you make love, do you look in the mirror? 
Who do you think of, does he look like me? 
Do you tell lies and say that it's forever 
Do you think twice or just touch 'n' see 
Ooh babe oh yeah 

When you're alone do you let go 
Are you wild 'n' willin' or is it just for show 
Ooh c'mon 

I don't wanna touch you too much baby 
'Cos makin' love to you might drive me crazy 
I know you think that love is the way you make it 
So I don't wanna be there when you decide to break it 
No! 

Love bites love bleeds - it's bringin' me to my knees 
Love lives love dies - it's no surprise 
Love begs love pleads - it's what I need 

When I'm with you are you somewhere else 
Am I gettin' thru or do you please yourself 
When you wake up will you walk out 
It can't be love if you throw it about 
Ooh babe 

I don't wanna touch you too much baby 
'Cos makin' love to you might drive me crazy 

Love bites love bleeds - it's bringin' me to my knees 
Love lives love dies - it's no surprise 
Love begs love pleads - it's what I need 

I don't wanna touch you too much baby 
'Cos makin' love to you might drive me crazy 
I know you think that love is the way you make it 
So I don't wanna be there when you decide to break it 
No! 

Love bites love bleeds - it's bringin' me to my knees 
Love lives, love dies 
Love bites love bleeds - it's bringin' me to my knees 
Love lives love dies - it's no surprise 
Love begs love pleads - it's what I need 

If you've got love in your sights 
Watch out, love bites 


Melanie - Look What They Done To My Song, Ma (Live at the Royal Albert Hall, 1972) 



Melanie Anne Safka-Schekeryk (born February 3, 1947) is an american singer-songwriter.
Known professionally as simply Melanie, she is best known for her hits "Brand New Key", "Ruby Tuesday", "Look What They've Done to My Song, Ma" and " The Good Book”.
When she became an official UNICEF ambassador in 1972, she agreed to forgo a world tour in favor of raising money for the organization.
In October 2012, Melanie collaborated with John Haldoupis, the artistic and managing director of Blackfriars Theatre in Rochester, New York, to create an original musical about her love story with her late husband, Peter. Melanie and the Record Man made its world premiere on October 19 with performances scheduled until October 28. The musical, conceived and designed by Haldoupis, features the music of Melanie and tells the story of her Peter meeting, falling in love, and working together to produce her music. Melanie performs during the musical and was also the narrator. Her son, Beau Jarred, was the musical director and also performed. Mandy Hassett, of New York City, played the younger Melanie and Nick Faruch played Peter.

The lyrics are: 
Look what they've done to my song, Ma
Look what they've done to my song
Well it's the only thing I could do half right
And it's turning out all wrong, Ma
Look what they've done to my song

Look what they've done to my brain, Ma
Look what they've done to my brain
Well they picked it like a chicken bone
And I think I'm half insane, Ma
Look what they've done to my song

I wish I could find a good book to live in
Wish I could find a good book
Well, if I could find a real good book
I'd never have to come out and look at
What they've done to my song

La la la…
Look what they've done to my song

But maybe it'll all be all right, Ma
Maybe it'll all be OK
Well, if the people are buying tears
I'll be rich some day, Ma
Look what they've done to my song

Ils ont changé ma chanson, Ma
Ils ont changé ma chanson
C'est la seule chose que je peux faire
Et çe n'est pas bon, Ma
Ils ont changé ma chanson

Look what they've done to my song, Ma
Look what they've done to my song
Well they tied it up in a plastic bag
And turned it upside down
Look what they've done to my song

Ils ont changé ma chanson, Ma…

Look what they've done to my song, Ma
Look what they've done to my song
Well it's the only thing I could do all right
And they turned it upside down
Look what they've done to my song 


Roy Orbison - In Dreams (live)


Cântecul datează din 1963. A redobândit faimă mondială în 1987 când Orbison a lansat o antologie cu cele mai mare hit-uri ale sale; un an mai devreme, în 1986, regizorul David Lynch a folosit melodia în provocatorul său thriller „Blue Velvet”, ajutând prin utilizarea acestei piese și la revigorarea carierei lui Roy Orbison. 

"In Dreams" is a song composed and sung by rock and roll performer Roy Orbison in 1963. The song has a unique structure in seven musical movements in which Orbison sings through two octaves, beyond the range of most rock and roll singers.
It gained notability again in 1987 when Orbison released a re-recorded anthology of his greatest hits; the year prior David Lynch had used the song provocatively in his dark thriller Blue Velvet, helping to revive Orbison's career. 
Orbison later claimed that the origin for "In Dreams" came to him while he was sleeping, as many of his songs did. He often heard music while asleep with a radio disc jockey announcing that it was Elvis Presley's new song. 
For this song, however, he was half awake when he imagined it, and thought, "Boy that's good. I need to finish that. Too bad things don't happen in my dreams." When he woke up the next morning, the entire composition was written in 20 minutes. 

The lyrics are: 
A candy-colored clown they call the sandman 
Tiptoes to my room every night 
Just to sprinkle stardust and to whisper: 
"Go to sleep, everything is alright" 

I close my eyes 
Then I drift away 
Into the magic night 
I softly sway 
Oh smile and pray 
Like dreamers do 
Then I fall asleep 
To dream my dreams of you 

In dreams...I walk with you 
In dreams...I talk to you 
In dreams...Your mine 

All of the time 
We're together 
In dreams...In dreams 

But just before the dawn 
I awake and find you gone 
I can't help it...I can't help it 
If I cry 
I remember 
That you said goodbye 
To end all these things 
And I'll be happy in my dreams 
Only in dreams 
In beautiful dreams

In oglinda asez si versiunea cinematografica a lui David Lynch a piesei lui Roy Orbison. 


Eric Clapton - Tears In Heaven (Official Video) 



Povestea din spatele melodiei este una foarte tristă, aceasta apărând într-un moment de cumpănă pentru cariera lui Eric Clapton. După ce în 1990, într-un accident de elicopter, câțiva apropiați (printre care și managerul său) au murit, în 1991, copilul său de patru ani a murit după ce a căzut de la al 53-lea etaj al unui apartament din New York. O poveste extrem tristă care l-a marcat, care a dat naștere acestui cântec. 

Vizibil afectat de pierderea suferita, Eric Clapton a compus acest cantec trist, care a fost si cel mai de succes dintre piesele sale.
Alte informații despre melodie: 
  • Piesa a apărut pe soundtrack-ul filmului Rush (1991); 
  • Will Jennings a luat parte la scrierea versurilor (este un textier american celebru; el a scris și versurile de la „My Heart Will Go On”); 
  • Melodia a fost inclusă în 2004 pe lista Rolling Stone: The 500 Greatest Songs of All Time. 

Versurile sunt: 

Would you know my name 
If I saw you in heaven? 
Would you feel the same 
If I saw you in heaven? 
I must be strong and carry on 
Cause I know I don't belong here in heaven... 

Would you hold my hand 
If I saw you in heaven? 
Would you help me stand 
If I saw you in heaven? 
Ill find my way through night and day 
Cause I know I just can't stay here in heaven... 

Time can bring you down, time can bend your knees 
Time can break your heart, have you begging please...begging please 

Beyond the door there's peace Im sure 
And I know therell be no more tears in heaven... 

Would you know my name 
If I saw you in heaven? 
Would you feel the same 
If I saw you in heaven? 
I must be strong and carry on 
Cause I know I don't belong here in heaven...




Blowing In The Wind - Bob Dylan (Live on TV, March 1963)


"Blowin' in the Wind" is a song written by Bob Dylan in 1962 and released on his album The Freewheelin' Bob Dylan in 1963. Although it has been described as a protest song, it poses a series of rhetorical questions about peace, war and freedom. 

The refrain "The answer, my friend, is blowin' in the wind" has been described as "impenetrably ambiguous: either the answer is so obvious it is right in your face, or the answer is as intangible as the wind". 
"Blowin' in the Wind" has been described as an anthem of the 1960s civil rights movement. 
In Martin Scorsese's documentary on Dylan, No Direction Home, Mavis Staples expressed her astonishment on first hearing the song, and said she could not understand how a young white man could write something which captured the frustration and aspirations of black people so powerfully. 

The lyrics are: 
How many roads most a man walk down
Before you call him a man ?
How many seas must a white dove sail
Before she sleeps in the sand ?
Yes, how many times must the cannon balls fly
Before they're forever banned ?
The answer my friend is blowin' in the wind
The answer is blowin' in the wind.

Yes, how many years can a mountain exist
Before it's washed to the sea ?
Yes, how many years can some people exist
Before they're allowed to be free ?
Yes, how many times can a man turn his head
Pretending he just doesn't see ?
The answer my friend is blowin' in the wind
The answer is blowin' in the wind.

Yes, how many times must a man look up
Before he can see the sky ?
Yes, how many ears must one man have
Before he can hear people cry ?
Yes, how many deaths will it take till he knows
That too many people have died ?
The answer my friend is blowin' in the wind
The answer is blowin' in the wind.

Moon Over Bourboon Street – Sting 

(live at Universal Amphitheatre – 2000) 





„The Dream of the Blue Turtles” (1 june 1985) is the first solo album by Sting. 
The song Moon Over Bourboon Street embodies what vampire stories SHOULD have at their core.
It’s not about sex. It’s the concept that now changed as a person, there is no going back, and you can’t change your new direction, you either have to accept, embrace or die.
Sting said it was inspired by Anne Rice's book "Interview With A Vampire''.

The lyrics are:
There's a moon over bourbon street tonight
I see faces as they pass beneath the pale lamplight
I've no choice but to follow that call
The bright lights the people and the moon and all
I pray everyday to be strong
For I know what I do must be wrong
Oh you'll never see my shade or hear the sound of my feet
While there's a moon over bourbon street

It was many years ago that I became what I am
I was trapped in this life like an innocent lamb
Now I can never show my face at noon
And you'll only see me walking by the light of the moon
The brim of my hat hides the eye of a beast
I've the face of a sinner but the hands of a priest
Oh you'll never see my shade or hear the sound of my feet
While there's a moon over bourbon street

She walks everyday through the streets of New Orleans
She's innocent and young from a family of means
I have stood many times outside her window at night
To struggle with my instinct in the pale moonlight
How could I be this way when I pray to god above
I must love what I destroy and destroy the thing I love
Oh you'll never see my shade or hear the sound of my feet
While there's a moon over bourbon street. 

THE BRAND NEW DAY TOUR live, STING 

(The Universal Amphitheatre - 2000)

STING - guitars/vocals
Dominic Miller - guitars
Manu Katché - drums
Jason Robello - piano/clavinet
Kipper - keyboards/drum programming
Stevie Wonder - harmonica
Chris Botti - trumpet
Mohamed Khelifati - vocal
Abdel Nasser Haoua - darabukka
Mejdoub Ftati - violin
Lorraine Barnes - backing vocals
Mandy Lecointe - backing vocals
Samantha Swaby - backing vocals


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