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Harry Belafonte - Matilda (live, Stockholm, 1966)




O adevarata lectie de show. 
Text insipid dar un show magistral. 
Atat pe scena cat si in sala. Delectati-va! 

This is from of a beneficiary concert for Martin Luther Kings civil rights movement in Stockholm, Sweden. The recording took place on the 31 march 1966 in the Opera House and was aired live on Swedish, Danish and Finnish television network. 

The lyrics are: 
Hey! Matilda, Matilda, Matilda, she take me money and run Venezuela.
Once again now!
Matilda, Matilda, Matilda, she take me money and run Venezuela.
Five hundred dollars, friends, I lost:
Woman even sell me cat and horse!
Heya! Matilda, she take me money and run Venezuela.
Everybody!
(Matilda,) Sing out the chorus,
(Matilda,) Sing a little louder,
Matilda, she take me money and run Venezuela.
Once again now!
(Matilda,) Going 'round the corner,
(Matilda,) Sing out the chorus,
Matilda, she take me money and run Venezuela.
Well, the money was to buy me house an' lan'
Then she got a serious plan,
A-hey, ah!
Matilda, she take me money and run Venezuela.
Everybody!
(Matilda,
Matilda,
Matilda, she take me money and run Venezuela.)
Once again now!
(Matilda,) Going 'round the corner,
(Matilda,
Matilda, she take me money and run Venezuela.)
Well, the money was just inside me bed,
Stuck up in a pillow beneath me head.
Don't you know,
Matilda, she found me money and...
Everybody...
(Matilda,
Matilda,
Matilda, she take me money and run Venezuela.)
Once again now!
(Matilda,) Hooma locka chimba,
(Matilda,) Bring me little water,
Matilda, she take me money and run Venezuela.
Women over forty?
(Matilda,
Matilda,
Matilda, she take me money and run Venezuela.)
Everybody!
(Matilda,) Goin' round the corner,
(Matilda,) Bring me little water,
Matilda, she take me money and run Venezuela.
Well, me friends, never to love again,
All me money gone in vain!
Uh, heya...
Matilda, she take me money and run Venezuela.
Everybody!
(Matilda,
Matilda,) Oom, ba-locka-chimba!
(Matilda, she take me money and run Venezuela.)
Sing a little softer!
(Matilda,
Matilda,
Matilda, she take me money and run Venezuela.)
EVERYBODY!
(Matilda,
Matilda,) Sing out the chorus!
Matilda, she take me money and run Venezuela!

Tom Waits - Waltzing Matilda (live 1977)





Wasted and wounded
And it ain't what the moon did
I got what I paid for now
See you tomorrow
Hey Frank can I borrow
A couple of bucks from you
To go waltzing Matilda waltzing Matilda
You'll go waltzing Matilda with me

I'm an innocent victim
of a blinded alley
And I'm tired of all these soldiers here
No-one speaks English
And everything's broken
And my strength is soaking away
To go waltzing Matilda, waltzing Matilda
You'll go a waltzing Malitda with me

Now the dogs they are barking 
and the taxi cab's parking
A lot they can do for me
I begged you to stab me
You tore my shirt open
And I'm down on my knees tonight

Old bushmills I staggered
You buried the dagger
Your silhouette window light
To go waltzing Matilda, waltzing Matilda
You'll go a waltzing Matilda with me

Now I've lost my St. Christopher
Now that I kissed her
And the one-arm bandit knows
And the maverick Chinaman
with the cold-blooded sigh
And the girls down by the striptease shows go
Waltzing Matilda, waltzing Matilda
You'll go a waltzing Matilda with me

No I don't want your sympathy
Fugitives say
that the streets aren't for dreaming now
Manslaughter dragnet
and the ghost that sells memories
Want a piece of the action anyhow
Go waltzing Matilda, waltzing Matilda
You'll go waltzing Matilda with me

And you can ask any sailor
And the keys from the jailor
And the old men in wheelchairs know
That Matilda's the defendant
She killed about a hundred
And she follows wherever you may go
Waltzing Matilda, waltzing Matilda
You'll go waltzing Matilda with me

And it's a battered old suitcase
in a hotel someplace
And a wound that would never heal
No prima donnas the perfume is on
and old shirt that is stained with blood and whiskey
And goodnight to the street-sweepers,
The night watchmen flame-keepers
And goodnight Matilda too
Goodnight Matilda too.


My Way - Frank Sinatra (Live at Caesar Palace - 1978)





And now the end is near
And so I face the final curtain
My friend I'll say it clear
I'll state my case of which I'm certain

I've lived a life that's full
I traveled each and every highway
And more, much more than this
I did it my way

Regrets I've had a few
But then again too few to mention
I did what I had to do
And saw it through without exemption

I planned each charted course
Each careful step along the byway
And more, much more than this
I did it my way

Yes there were times I'm sure you knew
When I bit off more than I could chew
But through it all when there was doubt
I ate it up and spit it out, I faced it all
And I stood tall and did it my way

I've loved, I've laughed and cried
I've had my fill, my share of losing
And now as tears subside
I find it all so amusing

To think I did all that
And may I say not in a shy way
Oh no, oh no, not me
I did it my way

For what is a man what has he got
If not himself then he has not
To say the things he truly feels
And not the words of one who kneels
The record shows I took the blows
And did it my way

Yes it was my way

Duran Duran - Girls on film (uncensored version) 



Duran Duran "Girls on Film" Uncensored
from Resistol 5000 on Vimeo.

"Girls on Film" is the third single by Duran Duran, released on 28 May 1981.
The single became Duran Duran's Top 10 breakthrough in the UK Singles Chart, peaking at Number 5 in July 1981. Its success was particularly gratifying for the band, who had personally selected it for release following the failure of its predecessor, "Careless Memories", which had been chosen by their record company, EMI. Its popularity provided a major boost to sales of the band's eponymous debut album, Duran Duran, which had been released a month earlier.
The song did not chart in the United States on its initial release, but it became popular and widely known after receiving heavy airplay on MTV when the Duran Duran album was re-issued in 1983.
Video story
The song fared well on the radio and the charts before the video was filmed, but the controversy that ensued helped to keep the band in the public eye and the song on the charts for many weeks.
The video was made with directing duo Godley & Creme at Shepperton Studios in July 1981. It was filmed just weeks before MTV was launched in the United States and before anyone knew what an impact the music channel would have on the industry. The band expected the "Girls on Film" video to be played in the newer nightclubs that had video screens, or on pay-TV channels like the Playboy Channel. The raunchy video created an uproar, and it was consequently banned by the BBC and heavily edited for its original run on MTV; the band unabashedly enjoyed and capitalised on the controversy.
Summary of the uncensored full-length music video

  • The band performs on an elevated stage behind a models' catwalk, which resembles a boxing ring, as various scantily clad women act out a series of erotic vignettes. A number of these scenarios feature mild depictions of BDSM, sexual fetishism and fantasy and recurring themes of seduction and abandonment:
  • Two models in sheer black camisoles and knickers mount the catwalk carrying pillows. They straddle a feather-covered pole at either end and move toward the centre, sliding their crotches along the horizontal candy-striped shaft in a slow and suggestive manner. The models proceed to have a pillow fight. Upon finishing, they kiss and return to their dressing room and pour champagne on each other's cleavage. 
  • A petite female Sumo wrestler with her hair flared up in a tall tophawk ponytail mounts the catwalk to confront a lumbering, heavyset male Sumo wrestler. The woman is wearing a sheer top and a mawashi loincloth. In the confrontational tachi-ai stance, she seizes her opponent by the shoulder and flips him forward head-over-heels. He somersaults and lands on his backside with a thud and she gives the ceremonial rei salutation (i.e., a bow) and walks away victorious.
  • A masseuse in a white nurse's uniform with white garter suspenders and sheer white stockings administers a full-body hot-oil massage to a man on a steam-bath table. She later walks away leaving the man unconscious.
  • A woman in a cowgirl costume rides on the back of a muscular, G-string-wearing, black model who is fetishistically costumed as an equine. She later soaps his semi-nude body with a wet sponge and then leads him on a leash while he cavorts behind her.
  • A model wearing a one-piece swimsuit and high-heels struts and poses on the catwalk before falling backwards into a child's inflatable plastic wading pool and collapsing. She is "rescued" and revived by a handsome male lifeguard. She responds by embracing and kissing the lifeguard so intensely that he becomes unconscious from exhaustion and is left in the pool while she walks away. The model is later seen reclining on a chair, nude, drying herself with an electric blow dryer before rubbing ice cubes on her nipples in closeup.
  • A brunette model removes her fur coat to reveal her breasts and skintight see-through plastic knickers underneath. She mud-wrestles with a blonde woman wearing a one-piece swimsuit. The blonde woman loses and is left behind in the mud, while the brunette woman is attended by a male assistant who sprays the mud off her body with a water hose.

Depeche Mode - People Are People (Extented Version)




"People Are People" was written by Martin Gore, but the dancy, pop feel of the song may be credited to Alan Wilder. Wilder wrote the B-side, "In Your Memory". Each song has an extended remix, the "Different Mix" and the "Slik Mix" respectively (although the "In Your Memory" mix is often incorrectly called the "Slick Mix").

The Clive Richardson-directed "People Are People" video was released in two versions. The original video was made for the single version, but an alternate video was made with the "Different Mix". The music video featured footage of various war scenes, mixed with footage of the band aboard the HMS Belfast. The "Different Mix" video appears on Some Great Videos.

Despite "People Are People"'s success, Martin Gore considers it as one of his least favourite songs. He prefers his songs to have subtle metaphors to allow people to find their own meanings to his songs, and feels "People Are People" does not fit that description[citation needed]. It has not been played live since 1988.


Tower of Song - Leonard  Cohen - Edge - Bono - I'am your Man




---------------------------------------------------------------------------
Well my friends are gone and my hair is grey
I ache in the places where I used to play
And Im crazy for love but Im not coming on
Im just paying my rent every day
Oh in the tower of song

I said to hank williams: how lonely does it get?
Hank williams hasnt answered yet
But I hear him coughing all night long
A hundred floors above me
In the tower of song

I was born like this, I had no choice
I was born with the gift of a golden voice
And twenty-seven angels from the great beyond
They tied me to this table right here
In the tower of song

So you can stick your little pins in that voodoo doll
Im very sorry, baby, doesnt look like me at all
Im standing by the window where the light is strong
Ah they dont let a woman kill you
Not in the tower of song

Now you can say that Ive grown bitter but of this you may be sure
The rich have got their channels in the bedrooms of the poor
And theres a mighty judgement coming, but I may be wrong
You see, you hear these funny voices
In the tower of song

I see you standing on the other side
I dont know how the river got so wide
I loved you baby, way back when
And all the bridges are burning that we might have crossed
But I feel so close to everything that we lost
Well never have to lose it again

Now I bid you farewell, I dont know when Ill be back
There moving us tomorrow to that tower down the track
But youll be hearing from me baby, long after Im gone
Ill be speaking to you sweetly
From a window in the tower of song
Yeah my friends are gone and my hair is grey
I ache in the places where I used to play
And Im crazy for love but Im not coming on
Im just paying my rent every day
Oh in the tower of song

Oldelaf - Le Cafe


Oldelaf, de son vrai nom Olivier Delafosse, est un auteur-compositeur-interprète, chanteur humoristique et musicien français né le 10 mai 1975.
En 2000, il crée le groupe Oldelaf & Monsieur D avec le comédien Frédéric Draps. 
Après la séparation du groupe lors de leur concert d'adieu à l'Olympia le 30 janvier 2010, il poursuit sa route en solo, entouré sur scène par Julien Breton dans le rôle de Charles Berthier, Alexandre Zapata dans le rôle d'Alain Berthier, Fabrice Lemoine dans le rôle d'Amaury Cantet et Victor Paillet dans le rôle de Jacques F.
D'origine normande, Olivier Delafosse apprend le piano dans son enfance. Dès 14 ans, il commence à composer des chansons qu'il interprète au sein d'un groupe de lycéens. Après le baccalauréat, il suit des études de musicologie, devient animateur socio-culturel et enseigne un temps la musique dans un collège de Caen. Très tôt cependant, il décide de « monter à Paris ».
Le 17 octobre 2011, il sort son premier album solo Le Monde est Beau.
The lyrics:
Pour bien commencer,
Ma petite journée,
Et me réveiller
Moi je pris un café

Un arabica,
Noir et bien corcé,
J'enfile ma parka,
Cà y est je peux y aller

"Où est-ce que tu vas?"
Me crit mon aimée
"Prenons un kawa,
Je viens de me levée"

Et tant en avance,
Et un peu forcé,
Je change de sens
et reprend un café

A 8 heure moins le quart,
Faut bien l'avouer,
Les bureaux sont vides,
on pourrait s'ennuyer

Mais je reste calme,
Je sais m'adapté
Le temps qu'ils arrivent,
J'ai le temps pour un café

La journée s'emballe,
Tous le monde peut bosser,
Au moins jusqu'à l'heure...
De la pause café!

Ma secrétaire entre
"Fort comme vous l'aimez!"
Ah mince, je viens d'en prendre,
Mais maintenant qu'il est fait...

Un repas d'affaires,
Tout près du sentier,
Il fait un temps superbe,
Mais je me sens stressé

Mais colègue se marrent
"Détends-toi Renée!
Prends un bon cigare,
Et un p'tit café!"

Une fois fini,
Mes colègue creuvés,
Appelle un taxi,
Mais moi j'ai envie de sauter!

Je fais tout Paris,
Pis je trouve un troquet,
J'commande un déca,
Mais re-caféiné!

Mmmh...

J'arrive au bureau,
Ma secrétaire me fait
"Vous êtes un peu en retard,
Je me suis inquiétée"

Oh!...je la jète par la f'nêtre
Elle l'avait bien cherhcée!
D'façon faut que je rentre,
Mais avant...un café!

Attendant le métro,
Je me fait agréssé,
Une p'tite vieille me dit
"Euh, vous avez l'heure s'il-vous-plaît?"

Oh, j'lui casse la tête,
Et j'la pousse sur le quai
Je file à la maison
Et j'me sers un... devinez!

"Papa, mon papa,
En classe je suis premier!"

PUTIN MAIS QUOI!!!
TU VAS ARRETE DE ME FAIRE CHIER!!!
MAIS QU'IL EST CON CE GOSSE!!!
EN PLUS I'SE MET A CHIALER!!!

J'menferme dans la cuisine,
Il reste un peu de café!

CA FAIT QUELQUE JOURS,
QUE JE SUIS ENFERME,
J'SUIS SEUL DANS MA CUISINE,
ET JE BOIS DU CAFE!!!

IL FAUDRA BIEN QU'JE DORME,
LES FLICS VONT ME CHOPER,
ALORS JE CLOUS LES PORTES,
ET JE REPRENS DU CAFE!!!

(suite instrumentale) 

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